During a wedding party, according to tradition, hide-and-seek is played in a local abandoned castle. The bride falls into a hidden corridor. As she enters a room, the door falls shut behind her. Inside, she finds a dead woman and a book that says she cannot get out of here. However, a cat taking her scarf outside is her salvation. The cat puts the searchers on the right track, and the groom finds his bride.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
At night, a young thief boldly breaks into an empty office, but his petty theft goes unexpectedly wrong.
A friend of KoKo's animator draws a haunted house, and KoKo and his dog Fitz go inside. There, they encounter frightening hallways where every door leads to a new spook.
Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?
Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
In this silent film, a lonely widower holds on to memories of his deceased lover.
"Damaged Goods" pictures the terrible consequences of vice and the physical ruin that follows the abuse of moral law. It is a stirring plea for a pure life before marriage, in order to make impossible the transmission of hereditary traits to future generations. This film is presumed lost.