Fickle Women

Jeunes filles d'hier et d'aujourd'hui(fr)

The Beggar's Christmas(fr)

Battleship Potemkin(ru)

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

October (Ten Days that Shook the World)(ru)

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Hell W10(en)

Black and white silent film starring The Clash.

People on Sunday(de)

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

The Buoy(fr)

Mirages(ru)

Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?

Amalia(es)

Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.

Underground(en)

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

La défense du drapeau(fr)

As the only survivor of a battle, a cavalryman heroically defends his flag.

The Little Tease(en)

The supposition was that she was born a tease, for from her first teeth to the time she was almost grown, she vented her witcheries on her unsuspecting parents and the wild things of her mountain home. But that was before the man from the valley lost his way and later found it back again, bearing away the little tease to the valley. While she suffered the qualms of broken faith, her father passed through a like struggle, for he felt the precepts of the "beloved book" had failed him. He closed the door of his cabin upon the world and the light from his window, lighting the wayfarer over the mountain path, disappeared. The struggle over, it came hack in its place in time to beckon the little tease as she left the valley behind.

Marthanda Varma(ml)

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

Metropolis(de)

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

The Spirit of the Poppy(en)

A psychological study of the effects of drug addiction on humanity. Helene Ford has been injected with heroin by an unscrupulous physician, causing her to act irrationally. Her husband Stephen, a noted artist, hires a model whom Helene, inflamed by their friend Jack Murray, suspects of having an affair with Stephen. The model is also addicted to drugs and convinces Stephen to try heroin to forget his troubles. Both Stephen and Helene then become addicted to drugs. They abandon their home and then separate, after which Stephen resorts to crime to support his heroin addiction. During an escape from the police after a robbery, Stephen encounters Helene again, this time near death. She sacrifices her own life to shield her husband, but Stephen and his former model plunge to their deaths.

Who Pays?(en)

Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.

The Cabinet of Dr. Caligari(de)

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

The Torture of Silence(fr)

Hardly one of French filmmaker Abel Gance's masterpieces, The Torture of Silence nevertheless has more dramatic and psychological value than your average romantic-triangle tale. Simply put, the film concerns a doctor, his wife, and his brother. The doctor, a specialist in pediatrics, has no time for his wife Marthe. She seeks solace in the arms of his brother. Unable to keep up the charade, Marthe attempts to shoot herself, but it is her lover who is mortally wounded.

The Birth of a Nation(en)

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.