A documentary on the World Beard and Moustache Championships (WBMC) and men who enter the WBMC. This biennial competition judges men in eighteen different moustache, partial beard, and full beard categories for the title of "Best Facial Hair in the World." Our 40-minute documentary on the 2009 WBMC features a beardly cast including Jack Passion, the Australian band The Beards, captain of the USA Beard team Phil Olsen, and many more bearded and moustached competitors!
Himself
Himself
Johann Beardraven
John Beardman Jr
Nathaniel Beard
Facey McStubblington
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.
A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.
The true story of Dwight Worker, an American who was caught smuggling drugs in Mexico, and sentenced to fortress-like Lecumberri Prison where he endured brutal conditions. With the help of his wife, Barbara, he escaped the prison by disguising himself as a woman. He was the first prisoner to escape Lecumberri since Pancho Villa.
ACP Pouran mistakes two innocent circus performers, Jumper Thambi and Tubelight Mani, to be dangerous terrorists and arrests them. Pouran realises his error only after the men are sentenced to death.
After impulsively shaving off his beard and sidelocks, a young Hasidic man experiences a nightmarish transformation that leads him right back to where he started. Over the course of one painful night, Eli Eisenstein will come to realize that it’s much easier to shave your beard than to shed who you are.
A young girl writes to President Abraham Lincoln to advise him to grow a beard.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
A New York City bank teller becomes a media celebrity when he refuses to comply with his employer's demands that he shave his beard.
FESTED: A Journey To Fest 7 is a documentary film about a group of friends' experience at the yearly punk music festival held in Gainesville, Florida simply called The Fest. It was filmed over two weeks spent in Gainesville around Fest 7 in 2008. The film follows Gainesville's SPANISH GAMBLE (formerly DIRTY MONEY) and friends on their quest to play and experience the epic weekend-long festival that has been called things like "punk rock christmas", "a big, drunk, punk rock, bearded, tattooed family reunion", and "the last true home of punk rock".
Returning from work, Jonas starts to suffer from a stomachache and, to make things worse, none of the elevators are available to use. The situation requires patience, but will his intestines allow for it?
A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.
What happens when you take a man's beard? You're about to find out.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.