
A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.
Self - The Bus
Self - The Bus
Self - The Bus
Self - The Bus
Self - The Bus
Self - The Bus
8.6This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.
5.3One of the milestones of Israeli cinema. It displays the atmosphere of the late 50s in Israel from the viewpoint of young boy Alex, who is just turning 13. His mom is the classic "Polish Mother", his school friends are young hustlers dreaming of nude girls, his schoolmaster is a nervous Russian immigrant. The street speech is full of Polish, Russian, and Farsi slang, full of the small talk that had later entered everyday speech. The soundtrack consists solely from the American music of the period.
6.1Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.
6.6This documentary film examines the transformative power of lyrics in the world of hip-hop music. Through dynamic archival footage, in-depth interviews and excursions with artists like Nas, Tech9, J Cole, Rapsody and Anderson. Paak, the film explores the many dimensions that hip-hop poetics occupy.
7.21. Back In Black 2. Shot Down In Flames 3. Thunderstruck 4. Girl's Got Rhythm 5. Hard As A Rock 6. Shoot To Thrill 7. Boogie Man 8. Hail Caesar 9. Hells Bells 10. Dog Eat Dog 11. The Jack 12. Ballbreaker 13. Rock And Roll Ain't Noise Pollution 14. Dirty Deeds Done Dirt Cheap 15. You Shook Me All Night Long 16. Whole Lotta Rosie 17. T.N.T. 18. Let There Be Rock 19. Highway To Hell 20. For Those About To Rock (We Salute You) No Bull captures the over the top spectacle that was AC/DC's 1996 Ballbreaker tour. Shot at the Plaza De Toros De Las Ventas bullfighting arena in Madrid, the film has been completely re-edited in HD and remixed in both Stereo and 5.1 Surround Sound.
8.0On March 15, 2007, Eric Clapton's world tour stopped at San Diego's iPayOne Center (originally the San Diego Sports Arena and now the Valley View Casino Center). The band lineup for the tour continues to be a firm fan-favorite, with Derek Trucks and Doyle Bramhall II on guitars, Chris Stainton and Tim Carmon on keyboards, Willie Weeks on bass, Steve Jordan on drums and backing vocalists Michelle John and Sharon White During the set, EC's long-time musical inspiration, JJ Cale, sat in for five songs, including three from their Grammy-Award winning album, The Road To Escondido, released in 2006.
6.7Exclusive "Delta Machine" album launch. Setlist: Angel, Should be higher, Walking in my shoes, Barrel of a gun, Heaven, Only when I lose myself, Personal Jesus, Soft touch / Raw nerve, Soothe my soul, Enjoy the silence
6.9An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.
6.5Lina Inverse and Naga the White Serpent are back! What begins as a routine bandit-stomping turns into the adventure of a lifetime involving magical golems, an ancient Elven weapon and even someone bent on destroying the world. It's a predicament only Lina and Naga could get themselves in to.
6.4When Koryu's childhood friend Shurei is abducted by gangsters, the desperate young woman recruits a female martial artist and a tough-as-nails stranger to join her for a dangerous rescue mission.
6.8Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.
6.0Altiero Molino is a twenty-six-year-old digital entrepreneur who’s returning to Ventotene with his model husband in order to gather his old friends together around his ailing father so as to treat him to one last holiday in this place which is so special to him. He didn’t expect to find the island all abuzz with Sabry Mazzalupi’s marriage to her partner Cesare. This young woman, who’s the awkward daughter of Roman shopkeeper Ruggero, has become an online celebrity and her wedding is a global event attracting the media as well as mysterious emissaries from the new political regime. These two tribes of vacationers, two seemingly irreconcilable sides of Italy, are destined to come together during the Ferragosto holiday for an ultimate showdown.
6.1After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.
Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.
3.2A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
8.8How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.
5.8The Los Angeles-based Marat Daukayev School of Ballet gathers the resources, volunteers, and cast to put on The Nutcracker.
6.5h)ac(k)tivist-noun: a person who uses technology to bring about social change. The Hacker Wars - a film about the targeting of (h)ac(k)tivists, activists and journalists by the US government. There is a war going on- the war for our minds. The Hacker Wars.
The Philippine Football team Azkals miraculous winnings in Asia started a wave for the country that we too can eye for the most coveted World Cup. For the first time in history, The Philippine Football Federation (PFF) has launched a search for the next Philippine Azkals who will undergo training for the 2019 World Cup qualifier. More than 1000 boys from Luzon, Visayas, and Mindanao tried their lucks. Only 22 are selected. This documentary film is a story of dreams.
6.8Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
5.5"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.
5.0Six women have entered a male world - the orchestra conductors. The doubtfulness against female conductors and musicians in the world of classical music becomes clear during a visit to the Vienna Philharmonic. Conductors Sixten Ehrling and Jorge Mester comment on the prevailing conservative attitudes among colleagues.
0.0The trio of actresses have ostensibly gathered to pay tribute to Mai Zetterling, but also reminisce about their own careers and the illustrious figures, including Ingmar Bergman, they have worked with.
This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.
5.9At a convent school for young girls, no one must know that the organist Celestin is the same person as the operetta composer Floridor. But in the long run, it cannot be hidden. His bright student Charlotte has been chosen as the bride of a man she has never met – but during a trip to Copenhagen, where Celestin is supposed to protect Charlotte from the temptations of the city, he takes her to the theatre where his operetta is to premiere. And that is where Celestin's problems really begin.
7.0Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
0.0An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.
6.6The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until their late teens, and have to do so of their own volition. The film explores Rumspringa, wherein young Amish are given the opportunity to explore the "English" way of life.
6.8By the People: The Election of Barack Obama is a documentary film produced by Edward Norton broadcast in November 2009 on HBO, which follows Barack Obama and various members of his campaign team, including David Axelrod, through the two years leading up to the United States presidential election on November 4th, 2008.
6.7When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
5.4The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.
8.0Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
