
Pearl Jam Twenty
Top 9 Billed Cast
Himself (voice) (as Kevin the T-shirt guy)
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8.0Amadeus(en)
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6.9Scorpions: Acoustica(it)
"Acoustica" is a 2001 unplugged album by German hard rock band Scorpions. It was recorded during three concerts at the Convento do Beato in Lisbon, Portugal, in February 2001. It was a most unusual set for the band, as Klaus Meine comments on the DVD. The band was supported by backing vocalists, a percussionist, an extra guitarist and Christian Kolonovits (who had worked with the band as conductor and arranger on the Moment of Glory album) on keyboards. He also collaborated on rearranging the songs for the acoustic set. The band performed four new songs: "Life Is Too Short", "Back To You", "I Wanted To Cry" and "When Love Kills Love", which was released as single. All the new songs were featured on the DVD, while "Back To You" was not included on the CD. Acoustica also contains cover versions of songs such as The Cars' "Drive", Kansas' "Dust In The Wind" and the Queen hit "Love Of My Life".
7.1Classic Albums: Black Sabbath - Paranoid(en)
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6.0Kiss: Unplugged(en)
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Ambitious yakuza Kenji befriends harmonica-playing bartender Chuji, who moonlights as a part-time drug-dealer for the opposing gang. Their friendship is threatened by Kenji's plans for advancement, as well as by his bodyguards growing jealousy of Chuji.
8.1Chunky Shrapnel(en)
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8.1Saturday Morning: Cartoons' Greatest Hits(en)
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0.0Boy George & Culture Club(en)
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0.0Screaming Lord Sutch(en)
David “Screaming Lord” Sutch (1940-1999) the flamboyantly, bipolar, berserk rock singer, emerging from a coffin, armed with prop knives, axes and skulls, and belting out his song Jack the Ripper. But David Sutch was also the founder of the Official Monster Raving Loony Party and served as its leader from 1983 to 1999, during which time he stood in numerous parliamentary elections.
0.0Without Getting Killed or Caught(en)
Follow Guy Clark, Susanna Clark, and Townes Van Zandt as they rise from obscurity to reverence: Guy, the Pancho to Van Zandt’s Lefty, struggling to establish himself as the Dylan Thomas of American music, while Susanna pens hit songs and paints album covers for top artists, and Townes spirals in self-destruction after writing some of Americana music’s most enduring and influential ballads.
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