The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.
The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.
1931-12-31
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The old bus "Tired Theodore" came into service in 1954 and operated for long periods along the line Lumparland - Mariehamn. One summer day a number of older people had gathered for a bus ride along the winding country roads in Lumparland, and to relive old memories. At the same time one of the locals, Putte Karlsson, took up a large project: rebuilding the old mill in Lumparby. The mill was owned by his grandfather, skipper and farmer in the village. Sawmills previously existed in many villages in Åland Islands but today they are no longer in use. It is a big challenge and many are skeptical that Putte will put everything to work.
Megacities is a documentary about the slums of five different metropolitan cities.
Documentary about a Finnish reporter, Hannu Karpo. The movie follows Karpo's decades-long career as a journalist, and how he became a phenomenon and known by the whole nation.
From the West Midlands to West Africa: tour the Phillips bicycle plant in Smethwick and see the products in action overseas.
Forever Yours is a film about children who have been taken into custody. Through the children, their biological parents and foster parents, the film depicts love in everyday life. The film explores the invisible bond between a child and a biological parent. Even when a child is taken into custody, the yearning for closeness to the biological parents and need for their approval never seems to disappear. This longing is a form of loneliness that the foster parents struggle to overcome. The film describes the entire foster care process: a child being brought into a shelter home, a teenager’s everyday life in a foster family, and siblings preparing to return to their biological mother, after five years in a foster family.
Metro trains disappear on the turning track, only to immediately return on the same route. Tapio (57), Toni (42) and Aksa (60) are also stuck on these tracks. The men meet every morning in the square behind the Herttoniemi metro station, from where they transfer to Vuosaari in the metro's "restaurant car". Men's lives are dominated by alcohol and unemployment. The turning track of dreams follows the lives of Tapio, Toni and Aksa for a year - moments filled with joy, despair, self-destruction and friendship in the metro stations and trains of Eastern Helsinki. It gives voice to those who do not have special human dignity in the eyes of society.
Several films have been made about the lives of train hobos, but Aleksi Pohjavirta's A Good Day to Die is probably the first Finnish documentary on the subject. The film follows Billy, who travels in a pump on freight trains. In the way of life, the feeling of freedom and letting yourself be carried away by chance are attractive and they make the train bomb strive for a windy ride again and again.
A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A legendary garment, mass-produced, which witnessed the Industrial Revolution and clad cowboys on the western frontier, is now a fashion statement worldwide for men and women, young and old: an icon of modernity which has lasted for 150 years. With flying colors, the jeans have sailed through early marketing, the Internet, the world of collectors, the end of the Cold War, and now globalization. Their eternal popularity begs a question: Why?
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
This documentary, produced by Paul Burnford, features how products are made in factories. It uses an example of a jack-in-the-box produced by Mattel.
Chronicle of the 9-week strike by the kaolin workers of Plémet. The film emphasizes the particular nature of such a strike in a rural commune and in a sector of the old Breton proletariat: that of subsoil mining, almost entirely liquidated after the closure of the Hennebont forges.
A small town ice hockey team fights through their first season in an upper division. The players' dreams might have changed from childhood but their love for the sport does not fade.