Komeda, Komeda...(2012)

The Case of the Three Sided Dream(en)

The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.

Inside Out In the Open(en)

Inside Out In The Open is an hour-long documentary about a form of jazz, popularly known as free jazz. The film is an exploration of that music through the voices and performances of over twenty such musicians, from those who were its first generation to younger musicians joining the tradition.

Pioniere der Filmmusik - Europas Sound für Hollywood(de)

Hollywood film music has its roots in Europe. Three composers who fled war and National Socialism to the USA created the sound that still shapes film music today: Erich Wolfgang Korngold, Max Steiner and Franz Waxman. In the early 20th century, these classically trained composers transformed the methods acquired in Vienna and Berlin into a new American art form: film music. They balanced the relationship between image and sound and developed techniques and dramaturgical tricks to achieve the greatest possible effect on the viewer. Their influence is visible in the work of contemporary US composers such as John Williams and Jerry Goldsmith. Today, Oscar winner Hans Zimmer, Ramin Djawadi and Harold Faltermeyer continue this tradition. Their melodies are part of humanity's collective memory and reflect the combined traditions of European and American musical history. The documentary accompanies composers in their work and explores the European roots of Hollywood.

Red Light Solo(en)

A feature-length tour of Amsterdam's thriving jazz scene.

A Night In Havana: Dizzy Gillespie In Cuba(en)

A documentary on Dizzy Gillespie's landmark visit to Cuba and his performance at the Fifth International Jazz Festival in Havana, Cuba. Filmed in 1985 with Arturo Sandoval and Sayyd Abdul Al Khabyyr.

What Difference Does It Make?(en)

A documentary that explores the challenges that a life in music can bring.

Weird Nightmare(en)

A tribute to Charles Mingus.

Witchcraft Through the Ages(en)

A seventy-six-minute version of Häxan, re-edited and re-released in the United States by Metro Pictures Corporation in 1968. It is narrated by author William S. Burroughs, with a jazz score and soundtrack featuring violinist Jean-Luc Ponty.

Sing! Fight! Sing! Fight! From LeRoi to Amiri(en)

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

Daybreak Express(en)

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Chasing Trane(en)

An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.

I Called Him Morgan(en)

Part jazz history, part true-crime tale, Kasper Collin’s new documentary employs extensive archival footage and new interviews to tell the tragic story of the magnificently talented trumpeter Lee Morgan and his common-law wife Helen, who murdered him in a New York bar in 1972.

La fabuleuse histoire du jazz à Vienne(fr)

The emblematic festival Jazz à Vienne welcomes each year more than 200 000 festival-goers and 1000 artists. This documentary retraces the history and relives the highlights of the festival, since its creation in 1981 by Jean-Paul Boutellier, Jean Gueffier, Pierre Domeyne, Jean-Pierre Vignola and George Wein. The greatest jazz musicians have performed there, such as Miles Davis, Michel Petrucciani, Ella Fitzgerald, Sonny Rollins, Lionel Hampton, Dee Dee Bridgewater, Herbie Hancock, Chet Baker, Dizzy Gillespie. So much so that in four decades, Jazz à Vienne has become one of the most important jazz festivals in the world, open to all styles.

Oscar(en)

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.

Score: A Film Music Documentary(en)

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

Step N' Soul(de)

Grass Is Greener(en)

Weed. Marijuana. Grass. Pot. Whatever you prefer to call it, America’s relationship with cannabis is a complicated one. In his directorial debut, hip hop pioneer Fab 5 Freddy presents an unparalleled look at the racially biased history of the war on marijuana. A range of celebrities and experts discuss the plant’s influence on music and popular culture, and the devastating impact its criminalization has had on Black and Latino communities. As more and more states join the push to legalize marijuana, this documentary dives deep into the glaring racial disparities in the growing cannabis market.

Let's Get Lost(en)

Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.

Steve e il Duca(it)

In 1999, on the occasion of the centenary of Ellington's birth, Franco Maresco commissioned Steve Lacy to perform ten songs by the Duke, which were recorded and filmed in Palermo. In 2024, twenty years after Lacy's death and fifty years after that of Ellington, that unpublished material re-emerges from the archive of the great Sicilian director and becomes a documentary.

Stop for Bud(da)

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."