It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.
A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
The rock-wild youth of the 1960s during the apparitions of their idols.
Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
4 young strangers, all war refugees, unite to take on the challenge of summiting Mt. Kilimanjaro, one of the seven summits and the highest peak in Africa. They have been brought together by the charity INARA to shed light on the impact of war on children. The mountain always has a lesson, and often not what we think or expect it to be. Not all will make it to the summit, some will be forced to face dormant personal demons. This is a story of physical and emotional adventure, the rollercoaster of life, and the possibilities that emerge when we stand together.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
An epic journey along Africa's Great Green Wall — an ambitious vision to grow a wall of trees stretching across the entire continent to fight against increasing drought, desertification and climate change.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
Cruel Famine Continent documents the Great Sahelian drought in West Africa and its effect on the people. The production was an attempt to pivot Toei's output from yakuza films and Toei Porn towards "global issues" and "whatever makes money", as stated by then-Toei president Shigeru Okada. Theatrical proceeds were to be shared as relief funds through the Japanese Red Cross, though the box office returns are unknown. Footage shot for the documentary by Yoshimitsu Banno would later be reused in the 1974 Toho production Prophecies of Nostradamus.
A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
Saddari is a story of A 3 Young bikers decide to hit the road to another state for adventure , Ending up embarking on a challenging bike trip across all of Sudan with less than a 100$ In their pockets combined and worn-out bicycles, Facing numerous challenges along the way.