Taken from a two hour and 40 minute sold out show recorded at The State theatre in Minneapolis, WHERE THE WILD THINGS ARE is yet another live showcase of meticulously mapped Steve Vai compositions. Much of the material is new, and tested out in front of an unfamiliar but eager audience, with Vai exercising his chops to the limits.
Himself
Herself
Himself
Himself
Himself
Taken from a two hour and 40 minute sold out show recorded at The State theatre in Minneapolis, WHERE THE WILD THINGS ARE is yet another live showcase of meticulously mapped Steve Vai compositions. Much of the material is new, and tested out in front of an unfamiliar but eager audience, with Vai exercising his chops to the limits.
2009-09-29
5.9
Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.
Sting: Live at the Olympia Paris captures the musician’s critically acclaimed guitar-driven rock tour as it hit the French capital for an incredibly superior performance at the iconic venue in April 2017. Hailed “the show of a lifetime” (The Vancouver Globe & Mail), Live at the Olympia Paris celebrates highlights from across the 16-time Grammy Award winner’s illustrious career, with blistering performances of new songs from his latest album 57th & 9th including the infectious first single," I Can’t Stop Thinking About You”, and the anthemic “50,000”, alongside classic hits from The Police as well as Sting’s solo career. Sting: Live at the Olympia Paris highlights the wide range of his eclectic style and songwriting influences in one momentous live show.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.
Clare and Aidan, after making a pact that they would break up before college, find themselves retracing the steps of their relationship on their last evening as a couple. The epic date leads them to familiar landmarks, unexpected places, and causes them to question whether high school love is meant to last.
Little Q is an aspiring guide dog, training to be a guide for the blind. Soon Little Q is partnered with Bo-ting, a renowned pastry chef who’s losing his sight. But Bo-ting is irritable and reluctant, constantly losing his temper at those around him and rejecting Little Q. Eventually, dog and owner bond as Little Q wins Bo-ting over with its unwavering loyalty. However, as Little Q gets older and Bo-ting’s health suffers, the two of them face an unwilling separation...
Korean War, September 1950. In order to fight the enemy forces based in the South of the peninsula, General MacArthur orders the start of the Incheon Landing Operation, deploying diversionary attacks in other locations. Without real military forces to spare, 772 very young Korean student soldiers, barely trained, are sent to Jangsari Beach, where they will face a heroic fate and discover the value of friendship. (A sequel to Operation Chromite, released in 2016.)
In the middle of October 1998, Tomoe Enjou is attacked by bullies from his old school and saved by Shiki Ryougi. He asks her to hide him at her place and admits that he killed someone. Several days after the incident there are still no broadcasts about the murder as if it didn't happen.