Bass
Drums and Percussion
Saxophone
Fifty years later, and he's still rattlin' the Devil's cage. Charlie Louvin can walk through a crowded mall and not attract attention. But it shouldn't be that way; the humble 83-year-old musician in the cowboy hat and jeans is a true American hero. To start, 50 years ago he and his brother recorded "Satan is Real," an album that shook up the music business. And the life he lived thereafter was pretty radical, too, from his military service to his country to his 61-year marriage to his induction into the Country Music Hall of Fame and Grand Ole Opry. On Friday, December 3, 2010 at the fooBAR in Nashville, we caught Charlie Louvin on stage, making music for his fans, celebrating the anniversary of that famous album. And we filmed the night for history's sake. This is the tribute he so richly deserves.
You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
Set 1: Good Times(Sam Cooke cover) Scarlet Begonias(Grateful Dead cover) (>) Deal(Jerry Garcia cover) Black-Throated Wind(Bob Weir song) Dire Wolf(Grateful Dead cover) Bird Song(Jerry Garcia cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) (>) Terrapin Station(Grateful Dead cover) (>) He's Gone(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'The Other One' verse 2 >) Days Between(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Encore: One More Saturday Night(Bob Weir song)
Set 1: Hell in a Bucket(Grateful Dead cover) Sugaree(Jerry Garcia cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Mr. Charlie(Grateful Dead cover) Friend of the Devil(Grateful Dead cover) (>) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) Set 2: Samson and Delilah([traditional] cover) Playing in the Band(Bob Weir song) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Death Don't Have No Mercy(Reverend Gary Davis cover) Throwing Stones(Grateful Dead cover) Sugar Magnolia(Grateful Dead cover) Encore: Werewolves of London(Warren Zevon cover) (> 'Playing in the Band' reprise)
Set 1: Shakedown Street(Grateful Dead cover) (Bob and John shared vocals) (>) Bertha(Grateful Dead cover) (John and Bob shared vocals) (>) Ramble On Rose(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) (John Mayer on vocals) Dancing in the Street(Martha Reeves and the Vandellas cover) (John and Bob shared vocals) Althea(Grateful Dead cover) (John Mayer on vocals) Let It Grow(Grateful Dead cover) Set 2: China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) St. Stephen(Grateful Dead cover) (Bob and John shared vocals) (>) Uncle John's Band(Grateful Dead cover) (John and Bob shared vocals) (>) Drums(Grateful Dead cover) (with Joe Russo) (with Oteil) (>) Space(Grateful Dead cover) (>) The Eleven(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) U.S. Blues(Grateful Dead cover) (Bob and John shared vocals) Black Muddy River(Grateful Dead cover) (John Mayer on vocals)
Set 1: Feel Like a Stranger(Grateful Dead cover) Franklin's Tower(Grateful Dead cover) (John Mayer on vocals) Mama Tried(Merle Haggard cover) Alabama Getaway(Grateful Dead cover) (John Mayer on vocals) Dear Mr. Fantasy(Traffic cover) (John and Bob shared vocals) (>) Hey Jude(The Beatles cover) (Coda) (everyone on vocals) Truckin'(Grateful Dead cover) (>) Deal(Jerry Garcia cover) (John Mayer on vocals) Set 2: Scarlet Begonias(Grateful Dead cover) (>) Fire on the Mountain(Grateful Dead cover) (Oteil on vocals) Estimated Prophet(Grateful Dead cover) (with 'Get Up, Stand Up' by The Wailers tease) (>) Eyes of the World(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with Oteil) (>) Space(Grateful Dead cover) (>) All Blues(Miles Davis cover) (>) Cumberland Blues(Grateful Dead cover) (Bob and John shared vocals) (>) All Along the Watchtower(Bob Dylan cover) Morning Dew(Bonnie Dobson cover) Encore: Brokedown Palace(Grateful Dead cover) (Bob and John shared vocals)
Set 1: Samson and Delilah([traditional] cover) Cold Rain and Snow(Obray Ramsey cover) Jack Straw(Grateful Dead cover) Althea(Grateful Dead cover) Comes a Time(Jerry Garcia cover) Mr. Charlie(Grateful Dead cover) He's Gone(Grateful Dead cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) Playing in the Band(Bob Weir song) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) Fire on the Mountain(Grateful Dead cover) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Playing in the Band' reprise) The Other One(Grateful Dead cover) (verse 2) Standing on the Moon(Grateful Dead cover) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover) Ripple(Grateful Dead cover)
Filmed and Recorded Live at Ryman Auditorium, Nashville, Tennessee, on September 14, 2015, Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years captures a group of longtime road warriors who've yet to lose their grit, joined onstage by John Prine, Sam Bush, Vince Gill, Jerry Jeff Walker, Alison Krauss, Rodney Crowell, Byron House, and Jerry Douglas. Rock and Roll Hall of Famer (and early Dirt Band member) Jackson Browne joined in, along with longtime member Jimmy Ibbotson, while a sold-out crowd sings along in the background. From country classics to deep cuts, the tracklist finds bandmates Jeff Hanna (guitars/vocals), Jimmie Fadden (drums/harmonica/vocals), Bob Carpenter (keyboards/accordion/vocals) and John McEuen (banjo/fiddle/guitar/mandolin) swapping harmonies, trading solos, and shining new light on a catalog of vital, vibrant music.
On July 7, 2019, they celebrated their sixth consecutive year of sold-out concerts at Red Rocks Park and Amphitheater, the world’s only naturally-occurring, acoustically perfect amphitheater, located just outside of Denver. Over 9,000 fans danced, sang and cheered — it was the perfect way to spend a warm summer evening. This special features performances of “Live and Die,” “Down with the Shine,” “Head Full of Doubt,” “High Steppin,'” “Ain’t No Man,” “Laundry Room” and more.
An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”
This passionate and affecting performance documentary celebrates the virtuoso artistry and joyous community of contemporary bluegrass music. Musically depicting many of the traditional roots and some of the more far-reaching branches of the genre by employing verite footage, thoughtful interviews, and vividly captured extended performances to weave a seamless tapestry that transports and enraptures the devoted fan and newcomer alike.
In May 2010, Dave Matthews Band announced that they would take a break from touring the following year for the first time in 20 years. With the break looming, the last two hometown shows on November 19-20, 2010 at John Paul Jones Arena in Charlottesville, VA became two of the most anticipated in the band's history. Both shows met all expectations! We are proud to release the first night of this epic weekend in its entirety as 3-CD set, and for the first time in the Live Trax series, as a DVD/3-CD set as well. This is the First Live Trax mixed in surround sound.
In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.
Set 1: Truckin'(Grateful Dead cover) (>) Smokestack Lightning(Howlin’ Wolf cover) (with Truckin tag) Althea(Grateful Dead cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) High Time(Grateful Dead cover) (>) All Along the Watchtower(Bob Dylan cover) (>) Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) St. Stephen(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Uncle John's Band(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 2) Morning Dew(Bonnie Dobson cover) Encore: Brokedown Palace(Grateful Dead cover) (>) Playing in the Band(Bob Weir song) (Reprise) (>) One More Saturday Night(Bob Weir song)
Steamboatin' stories from those who lived them, river history, authentic footage and stills, along with music and narration by John Hartford.
Set 1: The Music Never Stopped(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Me and My Uncle(John Phillips cover) Row Jimmy(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) Cassidy(Bob Weir song) Iko Iko(Sugar Boy and His Cane Cutters cover) Set 2: Here Comes Sunshine(Grateful Dead cover) (>) Viola Lee Blues(Cannon’s Jug Stompers cover) (> 'Cissy Strut' jam >) Looks Like Rain(Bob Weir song) (tour debut) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) The Wheel(Jerry Garcia cover) (>) Wharf Rat(Grateful Dead cover) Casey Jones(Grateful Dead cover) Encore: Touch of Grey(Grateful Dead cover)
Set 1: Playing in the Band(Bob Weir song) (>) Deal(Jerry Garcia cover) (>) Tennessee Jed(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Ramble On Rose(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Crazy Fingers(Grateful Dead cover) (Tour debut) (>) Dancing in the Street(Martha Reeves and the Vandellas cover) (Tour debut) Set 2: Sugaree(Jerry Garcia cover) Estimated Prophet(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Sunshine Daydream(Grateful Dead cover) Encore: U.S. Blues(Grateful Dead cover)
Set 1: Here Comes Sunshine(Grateful Dead cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Mr. Charlie(Grateful Dead cover) He's Gone(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Dear Prudence(The Beatles cover) (Tour debut) Turn On Your Love Light(Bobby “Blue” Bland cover) (Tour debut) Set 2: Deal(Jerry Garcia cover) Scarlet Begonias(Grateful Dead cover) (>) Playing in the Band(Bob Weir song) (>) Cumberland Blues(Grateful Dead cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Milestones(Miles Davis cover) (Tour debut) (>) Days Between(Grateful Dead cover) (Tour debut) (>) Throwing Stones(Grateful Dead cover) (Tour debut) One More Saturday Night(Bob Weir song) (Tour debut) Encore: Ripple(Grateful Dead cover)
Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)
Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.
Filmed in Mexico City and directed by long-time visual collaborator Lasse Hoile during the Grace For Drowning Tour, the set is a superb representation of the spectacular live experience that Wilson and Hoile created for the tour. The shows submerged fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song. Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol.
Jimmy McNamara is an ex-writer and WWII vet turned accountant who receives a call from Vivian, his ex-fiance and nightclub singer. Vivian got a Hollywood contract and is taking Jimmy with her. All he has to do is retrieve the negatives of compromising pictures that put her bright future in danger. But Jimmy's mission might not be as simple as it seems.
A music clip OVA using full versions of songs that were from the anime.
The last of the impetuous Varicks, Lady Helen Haden is married to Sir Bruce Haden, a brute who treats her shamefully. She falls in love with Ned Thayer, a young American, but refuses to divorce her husband because of the attendant scandal and disgrace. Sir Bruce gains possession of a love letter written to Ned by Lady Helen and divorces her. Ned goes to Africa, and Lady Helen comes to the United States, where she encounters Rudolph Solomon, an art collector who wants her to become his mistress. The noblewoman at first refuses, but when her money runs out, she agrees to the proposal and attends a party at his home. Ned, who has learned of the divorce, comes looking for Helen and meets her at Solomon's party. Lady Helen is so humiliated and ashamed that she rushes from the house and throws herself in front of an automobile.
In January 1996 filming began on a new episode of Doctor Who set in San Francisco, but shot in Vancouver, Canada. Sylvester McCoy flew out to join the production team to re-create his role as the Seventh Doctor and to hand over to Paul McGann. In this behind-the-scenes video diary, Sylvester gives us a personal account of his final days as the famous Timelord. Reminiscing about the "old days" and drawing comparisons with the experience of working on this latest adventure, he talks to Paul McGann, Daphne Ashbrook (Dr Grace Holloway) from the new production and Anneke Wills (Polly) from the show's past. All shot on Hi-8 camcorder.
DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
She is a former air hostess; he is a fair-haired St Petersburg-born politician with a secret past and a thorough knowledge of German. Despite the familiar-sounding characters, the film’s makers claim that its hero is not Russian President Vladimir Putin, but a fictional Russian politician named Alexander Platov.
A man wrestles with his personal demons and obsession with a writer's life.
Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.
Get to know the unusual behind the scenes behind the creation of the most famous works of Brazilian pop music, in a documentary language, with interviews of key characters from the music industry and exclusive interpretations of well-known tracks.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A tangerine farmer lives on the outskirts of the city of Taiwan. His financial problems lead him to make decisions that take him out of the farm routine.
The second of two planned sequels to the 2023 film Transformers: Rise of the Beasts.
A Ukranian flight engineer must infiltrate a highly secretive cult in order to save his abducted son who some believe to be the chosen one that will allow their religion to rule all mankind.
Re-live the Golden State Warriors championship run from the first day of training camp through the scintillating six games of the 2015 NBA Finals.