Automata is the eerie, black-humoured story of Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question 'what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species' Duck hunting in Australia is a very contentious issue and every year hunters and protesters clash. The experimental side is evidenced with the lack of dialog, non-linear narrative and a 'score' by Belgian sound designer Christina Clar. The majority of the sound tracking and design was completed before the edit in Australia, thus reversing the usual process. The sound post production was completed in Brussels and includes recordings from deep within remote caves.
Automata is the eerie, black-humoured story of Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question 'what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species' Duck hunting in Australia is a very contentious issue and every year hunters and protesters clash. The experimental side is evidenced with the lack of dialog, non-linear narrative and a 'score' by Belgian sound designer Christina Clar. The majority of the sound tracking and design was completed before the edit in Australia, thus reversing the usual process. The sound post production was completed in Brussels and includes recordings from deep within remote caves.
2011-09-17
5
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[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)
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