
This documentary captures the overflowing energy and activity of one today's greatest composers, Philip Glass, and allows us to follow him from New York to London and from Paris to Boston. He speaks about his beginnings, his moving to Paris for two years of intensive study with Nadia Boulanger, his meeting with Indian musician Ravi Shankar and director Robert Wilson, who had a deep influence on his career. The film also shows him at work on the last details of his opera The Sound of a Voice, directed by Robert Woodruff and conducted by Alan Johnson. Éric Darmon's camera, with its poetic shots and original framings, takes us for a musical journey into seven months of the life of the composer who, rising from the underground scene of the seventies, brought on a revolution in modern theater.



This documentary captures the overflowing energy and activity of one today's greatest composers, Philip Glass, and allows us to follow him from New York to London and from Paris to Boston. He speaks about his beginnings, his moving to Paris for two years of intensive study with Nadia Boulanger, his meeting with Indian musician Ravi Shankar and director Robert Wilson, who had a deep influence on his career. The film also shows him at work on the last details of his opera The Sound of a Voice, directed by Robert Woodruff and conducted by Alan Johnson. Éric Darmon's camera, with its poetic shots and original framings, takes us for a musical journey into seven months of the life of the composer who, rising from the underground scene of the seventies, brought on a revolution in modern theater.
2005-01-01
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8.0Documentary on New York Graffiti featuring art by Cliff, Phase 2, Comet, Blade, IN, Billy167, LSD OM, Ajax , Dean, Mico, Checker 170, Skylark
0.0"Biosolids have become a financial asset worth hundreds of billions of dollars, but it's still possible that we'll go back to dumping our waste in the ocean. In this new documentary, VICE traces the trail of waste from butt to big-money biosolid and beyond" (Vice).
10.0Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.
10.0"mm"s are m(usic(ian's))m(eetings) mostly held at the Who Unit? in Pittsburgh as a 21st century salon of sorts where formal interests can be broached casually. Attendees delight in sharing their sometimes obscure & sometimes popular musical (& otherwise) loves. For mm 49 (in the 37th month of "mm"'s history) a marathon listening party celebrating the music of Vivian Fine was decided upon. Fine was a dedicated composer who produced a variety of work over a 70 year career. This movie, of course, is not an imitation of Ken Burns style documentary movie-making. Instead, I gleefully mix the casualness & lively uninhibited conversation of mms with the formal exactitude of Fine's music. I hope you enjoy it as an upstanding example of Punk Classical. "Bah to the Bourgeoisie"! Note that I'm starting to disappear in this movie - will you miss me when I'm gone? This is my 111th feature & my 404th movie.
10.0A documentary on the life and work of the composer Sofia Gubaidulina.
0.0Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.
0.0Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.
6.5Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
0.0Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.
6.5A box found in an abandoned storage unit unearths a time capsule of correspondences from a forgotten era: the underground drag scene in 1950s New York City. Firsthand accounts and newly discovered footage help cast a long overdue spotlight on the unsung pioneers of drag.
6.0Before there was Disneyland, there was Coney Island. By the turn of the century, this tiny piece of New York real estate was internationally famous. On summer Sundays, three great pleasure domes--Steeplechase, Luna Park and Dreamland--competed for the patronage of a half-million people. By day it was the world's most amazing amusement park, by night, an electric "Eden".
6.7Documentary following Roger Miret and Vinnie Stigma of the band, Agnostic Front who played a key role in defining, shaping and establishing the sound and cultural code of conduct for the still-thriving movement. Unlike the dozens of bands that have come and gone, Agnostic Front is still going strong.
6.8On October 1, 2013, the elusive street artist Banksy launched a month-long residency in New York, an art show he called Better Out Than In. As one new work of art was presented each day in a secret location, a group of fans, called “Banksy Hunters,” took to the streets and blew up social media.
4.8Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).
5.8The story behind Blondie's album Parallel Lines, which sold 16 million copies and captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life.
Don't Bring A Dog shows a part of the New York underground music scene - rooted in the early eighties - existing apart from MTV and billboard charts. Music, interviews, sounds and pictures of the city blend into a collage. Don't Bring A Dog works like a time capsule of people and music in NY at a particular moment
0.0A humorous short documentary which features interviews with three zealous New York City roach-haters who demonstrate their own extermination techniques and recount - in hilarious detail - their own personal experiences with cockroaches. Includes an original musical composition lamenting the presence of this pesty insect in urban life
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
7.4Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
0.0A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.