Small glimpse of city life in Jerusalem.
Small glimpse of city life in Jerusalem.
1897-04-26
5.3
Panorama of Constantinople from the river.
Irritated by Catholicism, Linda, an American-based, Blonde Caucasian, falls in love with Qater-based Ali Al-Saigel, adopts the Islamic faith, and gets married. She follows her new faith to the letter, and subsequently gives birth to seven children (four daughters and three sons), brings them up according to true Islamic dictum's, and reflects on her 20-year married life, her children, as well as her reaction when her husband indicates that he wants to re-marry.
Hiromi appears on the outside to be a mature, resilient girl, but on the inside she feels like she's falling apart. She is having troubles at home mainly because of her parents wanting to separate. Her dog, Junkers, tries to comfort her in ways no other dog can. You see, he can talk and grant her 3 wishes.
Did you ever realise some people that would not sit next to them in a bus, or talk them. We eve hesitate to have a loot at this people but stare secretly. Sometimes those people against whom we have a lot of prejudices, are a part of our society, we just don't realise that, until we face some circumstances and really look into those people...
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
Persian Series #18 is almost calligraphic in its overlays of dark (occasionally colored) glyphs backed by brilliant color motifs.
Lilith, performer for a children's show called The Scrumbos, struggles with her job, mental illnesses and relationships.
Colourful puppets illustrate the old French song about Cadet Rousselle, who falls down a ladder, who trips on battlements, and whose dogs will not obey him. The animated figures carry our hero through his predicaments with colour and verve.
Sy Winter, a young idealistic American, becomes stranded high in the mountain woods. Attracted by the beautiful Tanya, he is trapped into working for her violent husband and his decrepit wheelchair-bound father. As the ominous surroundings deepen his tortured desires for Tanya, his fantasies become reality and Sy is plunged into a nightmare of murder and revenge from which he cannot escape until he faces his own tortured nightmares.
As their senior year comes to an end, the pressure to “make it out alive” seems daunting for high school seniors Bobby, Caroline and Adam. As they each discover what it means to love and be loved they find themselves navigating the complex nature of human relationships, facing their own personal versions of neglect and abandonment. With baseball forming the backdrop to this coming of age story, three teens find themselves on a treacherous path towards adulthood.
Family drama set in the Danish countryside in the turn of the century. A wealthy landowner is an evil and corrupt womaniser with several illegitimate offspring in addition to his beautiful family. Nobody stands up to him except his feisty 17-year-old daughter.
Eight-time Grammy Award-winning singer and musical phenomenon Adele performs live from her hometown in her first-ever network spectacular featuring an exclusive sit-down with Matt Lauer. In the one-hour event, Adele recaps the amazing year that followed the release of her sophomore album, "21." The special also features, for the first time on network television, six performances from the singer's "Adele Live at The Royal Albert Hall," including hit songs "Someone Like You" and "Rolling in the Deep."
On their way home from Brooklyn, psychiatrist Vic, daughter Julie and sister Stacey run short of gas. They leave the highway to search for a petrol station - but end up erring around in South Bronx. A youth gang led by the sadistic Ice stops their car and starts terrorizing them. Without fuel, the 3 women soon have to flee by foot and defend their life with all means possible.
Louis XIV's ship La Lune was wrecked off Toulon in November 1664. The ship was returning from an expedition to the Barbary Coast with nearly one thousand people on board, simple seamen or nobles of the highest rank. Discovered by a submarine in 1993, the wreck lies in 90 metres of water. In a state of magificent preservation, like some underwater Pompei, she will, starting in 2012, be the subject of an exceptional archeological investigation, bringing together history and robotics, the expertise of archeologists and the passion for the deep.
The film explores why dance matters - to those who create and perform it and to those who watch it. This documentary tells the remarkable story of how an abandoned Massachusetts farm has evolved into a National Historic Landmark and a nexus for dance throughout the world. Its unlikely purchase by choreographer Ted Shawn during the Great Depression allowed this secluded site in the Berkshires to become the internationally renowned Jacob's Pillow Dance Festival. Through candid conversations with world-class choreographers and dancers, thrilling performances, backstage access, and rare footage from the Pillow's Archives, 'Never Stand Still' immerses the viewer in this most ephemeral of art forms, celebrating not only its value to our culture but to our lives.
An eclectic film, in which suspense and cynicism sometimes meet the grotesque, "Back and forth" reminds, in many ways, the future masterpiece, "Cruise" (1981), directed by Mircea Daneliuc. Placed on the water's edge, where several characters sit with their bellies in the sun and when they talk about what they want and what they don't want, when they keep quiet, "Back and forth" is the graduation film of one of the legendary filmmakers of national cinema.
Travis Elliot, a star high school basketball player from Memphis, Tennessee must save his older brother but is torn between playing the sport that he loves or living a life of crime.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
At the east of Mexico City, three people have decided to break the stereotypes set by society and build a new reality; where love, solidarity and dance are the axes.
German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
A hunter and his native helpers set up a trap, then taunt and shoot a panther. Next we see the locals skin the animal.
On 4 September Frederick Albert Cook (1865-1940) arrived in Copenhagen on the ship 'Hans Egede'. He received a hero's welcome as the first man to set foot on the North Pole. He was greeted by the king, and given an honorary doctorate at the University of Copenhagen. Only a few days later, however, his endeavour was questioned, and in December the University rejected Cook's documentation. Carl Th. Dreyer is seen as one of the journalists taking notes. (DFI)
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.
The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.