

Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.


Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
1967-02-01
6
6.1Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”
4.7A police officer and her two companions battle an evil genius with diabolical plans to destroy the world. Whoever can find the three sacred jewels can anticipate total power.
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
4.5With the end of the dictatorship, three friends create a Humanitarian Movement to save Greece. In order to raise money, they kidnap a wealthy businessman and threaten to kill him if he does not give them the money they need. Things get complicated when they realize that the businessman's relatives are not interested in him.
9.1A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.
8.1An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
6.3Notorious outlaw Clay Anderson and gang rob the town bank and flee in separate directions. Riding hard, Clay's horse goes lame and he is forced to pull-up at a nearby farm. He soon discovers that the place belongs to local preacher Hollis Jarret, his new wife, and a son from a previous marriage. Clay, posing as a weary traveler, tries to insinuate himself into a secure hideout, but the reverend isn't fooled. He agrees to allow Clay to remain at the farm for a few days, but his motive isn't the preservation of his family's safety. Hollis reasons that, with time, patience and a lot of faith, he can convince the outlaw to turn over a new leaf. But Clay's criminal tendencies may run deeper than the preacher had imagined
5.0In a small town a wealthy aged male named Dharmesh Saxena, known for his worship of Devi Maa Kaali, and magic, is called "Saamri". Dharmesh knows that his end is near, he summons his lawyer and wills his entire estate to his niece, Anju Trivedi. But when Mama Taklifchand, Dharmesh's step-brother, finds this out, he, together with a gorgeous young woman, Maria, a hotel owner, Khanna, professor Chatterjee, and others, kill Dharmesh, throw his body in the river, and when the body is found, inform the police and the public that Dharmesh killed himself. With the case closed, Taklifchand & the others must find ways and means to kill Anju and keep the wealth and estate for themselves. Before they could carry out their plan - one by one they start dying horrible deaths. Looks like Saamri has arisen from the grave to hunt down his killers, and there is no one who can even dare to even think of stopping him.
8.0Live television broadcast of the world premiere. Described by various participants as the biggest world premiere in memory, even bigger than the Academy Awards.
10.0On a sunny morning in Eversley, Hampshire, Jackson and Natalie planned an adventurous day out for their 14-year-old son, Kevin. They decided to visit Leisure Matters, a renowned outdoor activity center owned by Jackson's old friend, Richard. Kevin, brimming with excitement, had even invited a few of his friends to join in the fun. When the group arrived at Leisure Matters, Richard was there to greet them with a warm smile. "Welcome, everyone. You're in for a day packed with adventure," he said. Richard, a seasoned outdoor enthusiast, had everything ready for them-paintball guns, archery equipment, even army-style uniforms for an immersive experience. Kevin and his friends eagerly donned the camouflage uniforms, their faces lighting up as they imagined themselves as action heroes. Jackson and Natalie joined in too, ready to embrace the fun.
5.8The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.
10.0The backstory of LeBron James' infamous decision to leave Cleveland and take his talents to South Beach.
6.2Struggling to overcome cycles of betrayal, revenge and violence, the Traoré brothers continue to fight for a brighter future in a seedy Paris suburb.
4.0“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.
Four children want to invite their friends to a picnic, but they don't know how to use the telephone. Suddenly, the room goes dark and the phone becomes large enough for them to climb into. They walk through a tunnel and meet a man named Telly, who takes them into the world of Telezonia, where they are shown various kinds of telephones. They meet several costumed characters, such as Question Mark, who teaches them how to answer the phone; Q and Z, who show them how to use the phone book; and Exclamation Point, who teaches them how to place a call. By the time they leave Telezonia, they are full-fledged telephone users.
4.0This RKO Pathé Screenliner show members of the 'snow patrol' at work in the Cascade Mountains of Washington state. At designated places, they measure snowfall and take core samples of the snow and measure its weight and density. They also measure river currents in relation to the snowfall. The data is used by the U.S. Geological Survey to help determine how the water runoff in the spring will translate into supplies of fresh water.
A short documentary on the making of the Cartoon Network's Clone Wars micro series, specifically the final 5 episodes.
5.0Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.
6.2At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.
0.0Shot at high noon in New York’s financial district, Wallstreet is much like a vertical tickertape, charting the existence of typical office workers. The film’s elongated shadows suggest these workers’ depersonalized, neuter, nearly uniform lives, which flow by without any solid or stable element that might provide definition.
5.2This short film brings light to the reality of transsexuality during childhood and aims to emphasize the importance of the role of grandparents.
Angela Davis visiting the German Democratic Republic. A film about the people she met and her impressions.
0.0After a near-death experience, a person floats in a mysterious space, gradually being reborn by reconnecting with the sensations of their body.
0.0This documentary recounts the history of modern aviation (primarily in Britain) from roughly 1900 until the inter-war period, using old monochrome footage of original aircraft, contemporary color footage of replica planes in flight as well as a number of photographs of famous aviators.
0.0Mónica Calle is fighting with her theatre company to remain an actress, a woman, in a society where the place of art is constantly challenged. She draws this strength from Zona J, a district in the periphery of Lisbon, where she has set up her new place of creation, surrounded by former prisoners.
10.0Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.
The found-footage short film OVERWORK offers a personal reinterpretation of a collection of instructional 16mm films from the German Employment Agency.
6.8In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.
8.0Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
4.5Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.
0.0A short film documenting the time the filmmaker spent in Kenya.