The story of Kaspar Hauser, who grew up in dark isolation from humanity, it is provided by a Gallician artist with a radical experimental adaptation that aims to be nothing less than a religious message. Black & white 16mm, without the language of reason, eye to eye with the primaeval puzzle. The story of Kaspar Hauser, the German 'wild child' who grew up for 16 years in silence and virtually in the dark in a stable with only a wooden horse as company, remains fascinating, also for filmmakers.
The story of Kaspar Hauser, who grew up in dark isolation from humanity, it is provided by a Gallician artist with a radical experimental adaptation that aims to be nothing less than a religious message. Black & white 16mm, without the language of reason, eye to eye with the primaeval puzzle. The story of Kaspar Hauser, the German 'wild child' who grew up for 16 years in silence and virtually in the dark in a stable with only a wooden horse as company, remains fascinating, also for filmmakers.
2013-01-21
5.7
A jigsaw film assembled from archival footage from the 20s and 30s, preserving memories of the construction of a new and everyday life - the launch of the metro, hard work, cultural life and leisure. By combining two parallel stories - state film chronicles and diary entries - the film attempts to revise the historical archive and the usual perception of the time, bringing to the forefront the collective image of a hero from the crowd.
An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.
On TJ's 18th birthday, a stranger delivers him a key from his father, last seen as he was hauled off to prison eight years earlier. With the key is an address for a proposed meeting – 3000 miles away and in two weeks. The key unlocks a timeworn 1968 convertible, with a coffin welded to its floor. With each decision that follows, TJ plunges deeper into the mysterious and beautiful landscapes we all navigate – on our own, with our tribe, through the shifting turns of the road ahead.
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.
The comedian and best selling author of "Cancer on $5 a Day...How Humor Got Me Through the Toughest Journey of My Life," has plenty to say on everything from raising a 17 year old daughter, bargaining with the Almighty, and how not to make friends with a dolphin.
A newlywed man who has just completed his national service, Alekos Stathakis, is trying to get over his class' misery, but doesn't have the necessary "equipment". He conceives an ambitious plan and submits it to a great concrete factory. He seems to believe that success is just around the corner and shares his illusion with his wife and his father. When his plan is rejected by the company, he keeps it to himself, making things even worse. He keeps leaving home to seemingly go to work and wanders to no purpose in Athens. He watches the world around him without really seeing anything, until a fatal accident ends his tragedy
After Leon left his team in the historic 25-1 defeat against the national team, Die wilden Kerle broke up. Only the little Nerv still believes in his old heroes and tries to bring the grown-up guys back together with the help of his dreaded side puller. Leon's former best friend Fabi has meanwhile founded his own team, the girls' team, "The Beastly Beasts", and challenges "The Wild Soccer Bunch" to a duel in the Nattern Cave.
Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.
Third and final version of the La Cage aux Folles series has Renato's drag queen lover Albin learning that he can inherit a vast fortune from a distant relative. But the catch is that Albin must marry (a woman) and produce a heir within a year or the whole inheritance will be forfeited.
When editor Jane Grant receives a plus-one invitation to her cousin's wedding, she finds herself in a predicament. To one-up her old high school rival Natasha Nutley, Jane tells her about her perfect, charming and handsome boyfriend -- except he isn't real. Catching word of her "boyfriend," Jane's intrusive Aunt Ida demands he make an appearance at the wedding. Now, Jane must go on every date she can snag to find a man who fits the bill.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
Hyohakusha is a lyrical trip to Japan, passing through Galicia (magic land in the northwest of Spain). Two women filmmakers recover twenty forgotten rolls of Super8 that showed the journey of two Galicians to different places of Japan in 1973, and with this material, and the reflections and emotions of his owner watching the rolls for the first time (the son of the travelers) with her wife, that is Japanish and could not know her father in law that died soon after that trip, these two filmmakers give birth to a new story seeking suggestive relations between the two countries (half of the film is filmed by them in Galicia, also in Super8). This filmmakers during the process of making this film are reading a book of haikus of Basho, that wrote in his lyrical diary "Oku no Oshomichi" about the beauty of some of the places where this Galician couple went to visit in their trip to Japan many centuries later. So some passages of this travelogue are included too.
In Galician, Devalar means “the passing of time over things”. This short movie is a portrait of a seaside Galician village, on the edge of the Atlantic ocean, drawn by the memories of the director.
Everything changes the day Sofia decides to take on her relationship with Paloma. Behind the supposed acceptance of her parents hides a plan to redirect their daughter to heterosexuality. And behind the apparent facade of tenderness and understanding in the couple hides a situation of maltreatment and instability that will take them to the limit.
"Bs.As." is an experimental documentary film that reframes the history of immigration from Galicia (Spain) to Buenos Aires (Argentina). A Galician man's curiosity about his long-lost relatives who immigrated to Buenos Aires takes him on a surreal journey across times and space. Through travel, photographs, letters, and phone calls he explores the unpredictable ways in which immigration creates both bonds and distance between people and places. "Bs.As." received various awards including the Premio Foco Galicia (Tui, 2007).
Tradition and performance show us the physical relationship between man and animal when in combat.
Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.
Taking the elegance and poetic power of the sea as main elements, Andrade subverts the role traditionally imposed on women. From observed objects to subjects that open their eyes to forgotten realities. Images that, when fading out, reflect a world whose sensitivity is mutating. Scenes of a dreamlike quality that borders surrealism so as to show the new order of things.
A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.
A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?
"Man, in the need to explain and understand the world around him, gives the animal, especially on the symbolic level, the functions performed, at first only for himself. It is believed that the pig guesses its end, feels death, and on the eve of the slaughter spends the night beating on the door of the court, which is expressed with the belief that that night it gets up seven times to eat the owner". (Adrian Canoura)
Galician sailors working on a ferry between the Danish city of Romo and the German island of Sylt. One buys a camcorder and start recording their daily lives and that of their peers in countless voyages.
Peter Weiss' The Aesthetics of Resistance meets a General Strike in Barcelona on September 2010. That night's discussions will be put into question by five anonymous friends who are no longer adolescents nor communist militants and yet also try to oppose the state of things, as did the protagonists of Weiss's novel.
Piedad has lived big part her life in Leiroso, a small village of the Bierzo, isolated of the urban world in company of her husband. Both decided to remain in the village, still when their children and neighbours were abandoning the place. At the age of 76, appears the Alzheimer in the life of Piedad, her husband died does some time, converting like this in the only inhabitant of the place but still like this, the option to go of there was not something that had in mind. The advance of the illness motivates that Amadeo, her younger son, take the decision to carry to his mother to live with him and his family to the city of A Coruña (Galicia, NW of Spain).