Pan 0(1974)

Pan 697(en)

A butchered cow is decapitated in this short film by Hollis Frampton.

The Colours(fa)

By showing a series of different-coloured objects, the film aims to familiarize very young children with the various colours.

Six Hours: Surviving Typhoon Yolanda(en)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Hope or The Devil's Prey(es)

NULL(en)

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Worst to First(en)

WORST TO FIRST is a feature-length documentary that portrays the against-all-odds inspirational story of the launch of the iconic and most successful radio station in history, New York City's Z100.

Oily to Bed, Oily to Rise(en)

Once again, the Stooges are three hapless tramps. After nearly destroying a farmer's (Richard Fiske) pile of firewood, the boys come to the assistance of the Widow Jenkins (Eva McKenzie), who has just been cheated out of her land by a trio of swindlers (Dick Curtis, Eddie Laughton, James Craig). Attempting to fix the woman's well, the Stooges instead unleash an oil geyser. They manage to retrieve the deed to the land and are allowed to marry the now wealthy Widow Jenkins' daughters. Moe tells Curly to wish for quintuplets, and Curly replies, "We'll honeymoon in Canada!" (a reference to the Dionne quintuplets).

Chances(en)

Two brothers, Jack and Tom, are in love with the same woman, Molly. While the two brothers go off to war and Molly does her part in the effort, Tom believes that Rose is waiting for him, while in fact, she loves Jack and only turned to Tom on the rebound. Jack and Molly meet while he is on leave, and when he returns to battle, he doesn't know how to handle the situation with his brother.

Recital Jiří Suchý – Jiří Šlitr(cs)

The word recital was supposedly coined by the piano virtuoso Ferenc Liszt for a solo performance. In the introduction, lyricist Jiří Suchý emphasizes that although this program is dedicated to two artists, only one of them will perform, namely himself. He performs in songs that were set to music by his colleague Jiří Šlitr (1924–1969). The audience can thus once again be reminded of the enormous musical talent of this Czech composer, instrumentalist (an excellent pianist), singer, actor and artist, whose life ended prematurely at the age of just 45.

Mobius Loop(en)

Senna is a scientist seeking to perfect a mind-jumping time-travel project. Upon finding a VHS tape that compels her to delve into her family's past, she uncovers the key to her research, but in doing so suffers deadly consequences.

Untitled #1(en)

Nails in the Jaw—secreted from the lip—bitten from the mind. They eat from the pot—brewing their purged longings— sweltering from the heat—water trickling down their finger tips, into a puddle around them. The pool forms--sinking underneath. -Emily Irvine

Auris - Die Frequenz des Todes(de)

Stripped Down: The Making of ‘Anora’(en)

Making of documentary surrounding the production of ‘Anora’

The Dognapper(en)

Mickey and an early version of Donald Duck are police officers chasing dognapper Pegleg Pete. Despite their bumbling, they manage to repeatedly get the drop on Pete at his sawmill hideout, though they ultimately make a shambles of the place.

How the Ape Girl Stole the Lotus Lamp(cn)

Classic swordplay movie with some crazy monkey fighters.

How to Have an American Baby(en)

An intimate and kaleidoscopic voyage behind the closed doors of the Chinese birth tourism industry in the U.S.

Lunarcy!(en)

In this irresistibly zany, sharp-witted documentary, director Simon Ennis introduces us to an unforgettable group of characters whose obsession with the moon and lunar colonization has given birth to utopian dreams of truly galactic proportions. (TIFF)

Sweet Obsession(es)

When a university student moves in with a family in Mexico City, conflicts emerge. An inevitable affaire with the father, a rebellious bond with the adolescent daughter and tensions with the mother lead up to a painful secret that will shake the family apart.

Trans-Canada Journey(en)

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

Fuck That(fr)

A Lama from Ulaanbaatar(mn)

A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.

Everyday Life(pl)

Dialogue-free short detailing the daily tasks of a man and his wife.

Working Women(pl)

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Rumstick Road(en)

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

The Rover of Tobruk(en)

A documentary written by Kane McKay, a returned military serviceman, about Bob Quinn, a recipient of the Military Medal for his heroic actions in World War II in Tobruk, 1941, and also champion player for a number of years at the Port Adelaide Football Club.

Tío Jess(es)

Cuenca(es)

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

Still Life(en)

Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.

Sites Unseen(en)

Sites Unseen is a 3 channel 16mm projection of the Jewish cemetary in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

We At Her(en)

A story about a woman descending into mental illness.

1(id)

La Trifulca I. Five Billion Dollar. A Trilogy(en)

An exodus of migrants settled in Tijuana and they hope to cross each day regardless of the consequences, the children tell us what they see, want and what they are willing to pay.

Round About Hollywood(en)

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.

I Am a Truck(ko)

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

if you seek amy(xx)

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

Homo Paradoksum I(ru)

An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.