A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.
Mrs. MacMiche
Betsy
Queen Mab
A Poet, Poor Fellow
Marian
The Solicitor from London
A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.
1914-03-01
0
Juliet's Heart Call To Charles Through The Darkness
Tarik lives alone and works in the warehouse of a supermarket. He's lonely and kills time hanging around with two colleagues. New worker comes to the small shop next to the supermarket. Tarik likes her and secretly starts to draw on the glass of the shop, hidden by the night, away from the prying eyes of society in which any kind of emotion is a sign of weakness.
While Guillermo tries to fix his romantic life making a film about it, he will discover another reality through Samir, a Syrian refugee, who will make him think that all his issues are superficial.
A strange dream forgotten in the morning and an unaccountable feeling cause Liviu to look with resignation upon the world he's living in. His awakening to reality may coincide with the birth of his child ...
A clique of school girls devise a secret plan that they code-name "Lick the Star".
Two boyhood best friends are divided by 25 years of misunderstanding amidst the escalating conflict in Northern Ireland. The two boys’ lives take very different paths until Joe returns for the first time to his homeland with his 24-year-old daughter, Patricia. In his absence, Paddy married Joe’s former fiancée Mary. What happened all those years ago? Can old wounds be healed? The answer is hilarious and moving in equal parts.
Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
If you erase the people of downtown America, the effect is bizarre, not to say disturbing. That is what this film does. It shows the familiar urban scene without a soul in sight: streets empty, buildings empty, yet everywhere there is evidence of recent life and activity. At the end of the film we learn what has happened.
A wounded shut-in attempts to free himself from the ghosts and savage history that has kept him bound in the town of Springville, Utah.
A young, gay millennial discovers she's slept with the enemy and has to choose between swallowing her pride and standing by her principles.
An American Marine returns home to his dying father bringing not only the hope to mend their broken relationship but his memories of the war.
When Alice sees Eric kissing another girl, she is devastated. To make matters worse, her rival runs with her in the same relay team. If Marie thinks that she is going to get away lightly after stealing Eric, she is mistaken. Alice might only be thirteen, but there are two things that she is sure of: she can run faster than Marie and Eric is the man of her life.
In his dressing room, a young actor is making up as an old man. But behind the young man’s mask, what is his real face like ?
Thirteen-year-old Czech boy and a Belgian girl of the same age who meet at a roadhouse facility want to meet and talk to each other in a short time between lunch and their departure. With the help of an Arab truck driver and an African football player, they overcome the language barrier and manage to spend a few minutes without their families. Both share a modern European experience in this modest location. "Divine Sparks" offers a pleasant story about the power of communication and prejudices.
A young couple skip school to spend time together in a mansion.
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children, lovers and a tramp their thoughts and conversations are also heard. Ultimately, after walking through a wood at night, the boy returns to the water and appears to sink below the surface.
Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.