
Digital Smoke is an experimental meditation on light, memory, and distortion. Shot at twilight in Minneapolis’s Loring Park, the film captures the moment just after sunset, when street lamps flicker on and reflect across the lake. As Devereaux moves the camera backward and forward, fading light introduces digital noise. Rather than correct it, he amplifies the imperfection, layering light trails until the noise becomes ethereal white clouds—“digital smoke”—that dissolve the boundary between image and abstraction. Frames evoke the hazy textures of J.M.W. Turner and the pixelated aesthetic of early video games, blending painterly romanticism with digital fragmentation.
0.0Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
0.0A brief and experimental ode to the humble dandelion, shot on 16mm developed using an eco-processor made of dandelions.
0.0Through thread and textile, an Asian seamstress tries to escape from the factory.
0.0A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
0.0Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera.
6.0Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
0.0The basis of the experimental film Sky Spirits are real-life shots of fireworks. The authors of the film have collected these shots from the year 2001. to 2008. The experiment explores the ultimate limits of fireworks as sources of light, showing this through real-life dynamic light patters which are led through video processors, resulting in chromatically rich animated samples. The material is "laboratory" processed and then formed into a film unit, while respecting the dramaturgy of fireworks. The original sound was used, which was, of course, subsequently processed, too. The whole work process is a kind of "homage to the tape" because the entire work is completely recorded and realised on digital video tapes, without using any kind of computer program.
0.0Cleto Rojas, a peasant painter in Venezuela, discusses his artwork. From movies and Roman mythology to his own dreams and scenes of rural life, Rojas takes inspiration from all sources and transforms the world around him into fantastic visions. He teaches village children his technique of using house-paint on canvas, as his wife goes about her own housework, singing slowly. The painter is bemused by the attention of anthropologists and art critics, and he talks about the pitfalls of attention. He remembers traveling to Caracas as a young man to meet famous painters and being disappointed in them. His ambitions are more focused on the content of his work - Rojas wishes he could envision and paint one of Venezuela's heroes, Simon Boilvar, as he really was, as no accurate representations exist now. Without looking for fame, he continues painting all kinds of images as he sees them.
Experimental short shot on reel to reel video tape and preserved by the Academy Film Archive in 2008.
0.0May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.
0.0The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.
10.0A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
6.0"Frederick" is the story of a high profile yet sardonic painter and art gallery owner who suffers from an intense version of “artist’s block.” However, his passion reignites when he has an idea for a new show, with his subject being the exploitation of beauty in society. To his surprise, he receives an unexpected visit from an intimidating yet oblivious policeman, Detective Marks, who interrogates him about the disappearance of several young fashion models. Frederick and Marks play a game of cat and mouse, culminating in a mysterious exhibition that both horrifies and entertains.
