
An artist struggles to find her way in this quirky, off-kilter micro short. Taking inspiration from classic silent films, it combines Super 8 footage with 2D/3D animation and motion graphics.
The Architect

An artist struggles to find her way in this quirky, off-kilter micro short. Taking inspiration from classic silent films, it combines Super 8 footage with 2D/3D animation and motion graphics.
2024-08-21
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0.0Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
0.0A surreal music video where a pop-up world of greed, rebellion, and revolution unfolds as cherubs, a devil, and a modern-day Jesus clash in a satirical battle for justice.
0.0One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.
0.0A girl is faced with the feeling of losing someone she once loved and the need for this person to try to make amends for the mess that remains after severing a bond.
0.0A police officer has a fever dream after having too much sugar.
0.0Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.
0.0Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.
0.0Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.
0.0In EIN TRAUM DER LIEBENDEN [A DREAM OF LOVERS], Monk meanders through a maze of Minoan bull-leaping, satyrs and revelatory rainbows.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
6.0Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
6.8Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
0.0It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.
0.0A man sits in his living room, doing absolutely nothing while morning arrives.
7.2What could possibly be more important than feeding your daughter?
0.0A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
3.0Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.