
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
1953-03-03
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0.0The path is known to all, but few follow it. Rising Hope – once the fastest horse in the race, tries to be one of the few.
8.0Something's brewing on the desk. Battle is commencing. Will Kungfu Bunny always be invincible?
7.0Trying to keep together all the little beings that are fragments of yourself. Overwhelming states of shapeshifting through contradictory perceptions of the inner and the outer self. Feeling, not feeling, falling apart and finally reassembling and reconciling all the little beings into one loving self again.
0.0Max is moving out of his studio, so Ko-Ko the Inkwell Clown packs up everything in sight (even using a super-charged vacuum cleaner that sucks up the furniture and the moving men).
0.0A space castaway man loses his wife in an accident and dedicates a large part of his life to looking for her, until he receives a signal that seems to come from her, which makes the search resume.
0.0During Napoleonic wars, a young idealistic drummer, in search of glory, arrives on the battlefield and discovers the horrors of war.
0.0When an intergalactic space god shows up in the form of a German potato and turns your teeth into drunken, blathering idiots… it’s time to take the chicken and hit the fire escape. That is… unless you really dig having your domicile over run by dirty pots and pans.
7.2An urban legend says that lighting fireworks at an abandoned airfield will beckon the "summer ghost," a spirit that can answer any question. Three teenagers, Tomoya, Aoi, and Ryo, each have their own reason to show up one day. When a ghost named Ayane appears, she reveals she is only visible to those "who are about to touch their death." Compelled by the ghost and her message, Tomoya begins regularly visiting the airfield to uncover the true purpose of her visits.
0.0The travelogue is mobilised again by animator Lesley Keen in Burrellesque, commissioned for Glasgow’s European Capital of Culture 1990 programme. Drifting through Glasgow’s Pollok Park towards the Burrell Collection as seasons shift, Keen’s 35mm film convenes with the spiritual life of the artefacts held therein. These objects break out as kaleidoscopic visions, ripped from their place of origin; escapees pointing to Scotland’s own history of cultural extraction.
0.0In this early work and collaboration between sisters Emily and Georgia, a figure journeys through a bewildering, menacing world. The film was created using a plethora of materials, including color-changing children’s markers and spray paint, and many of the specialized supplies, like cels, cel paint, and grease pencils, were leftovers from their parents’ famed Hubley Studios.
0.0At puberty, two wooden puppets will have to bear the weight of gender strict traditional education.
9.0This cartoon was featured as part of the U.S. military's "Army-Navy Screen Magazine, No. 60", issued in September 1945. The Servicemen's Readjustment Act of 1944, commonly known as the G.I. Bill, was a law that provided a range of benefits for returning World War II veteran.
0.0A young man, accompanied by his mysterious mechanical bear, visits an abandoned observatory to confront memories of his past and follow his Father on a journey into the unknown.
5.7In the heart of a dark forest, two silhouettes meet, attract and repel each other in an explosive bridal parade. "Hold Me Tight" is a bittersweet romance.
0.0This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.
0.0As rebels planned Ireland’s 1916 Easter Rising, they were watched by two spies code-named Granite and Chalk. This documentary delves into British intelligence to tell their story, one century on. Funded by Bord Scannán na hÉireann/the Irish Film Board, After ’16 is a creative response by Irish filmmakers to the events of Easter 1916. This collection of nine short films is a mixture of live-action, animation and documentary, telling stories from the eve of the Rising all the way to the Troubles in 1970s Northern Ireland and beyond.
7.0He wanted to put out everything that smoulders, smokes or burns. Even the Sun! Until he flared up himself... from love.
0.0Sometime in the near future, after the end of the world, a person gets into a family fight with a robot.