The Birth of Korea 2: Freedom Fighter(2025)

It Felt Like a Kiss(en)

The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.

Winter Soldier(en)

For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village.

The First World War(en)

Produced by the Fox Movietone News arm of Fox Film Corporation and based on the book by Lawrence Stallings, this expanded newsreel, using stock-and-archive footage, tells the story of World War I from inception to conclusion. Alternating with scenes of trench warfare and intimate glimpses of European royalty at home, and scenes of conflict at sea combined with sequences of films from the secret archives of many of the involved nations.

1974, une partie de campagne(fr)

Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

Pork Chop Hill(en)

Korean War, April 1953. Lieutenant Clemons, leader of the King company of the United States Infantry, is ordered to recapture Pork Chop Hill, occupied by a powerful Chinese Army force, while, just seventy miles away, at nearby the village of Panmunjom, a tense cease-fire conference is celebrated.

Troubled Times(pt)

Filomena Lopes recalls the first moments of Angola's independence. A story fictionalised through photographic archives. A personal investigation into the director's own family history.

Like the Clouds, Like the Wind(ja)

Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire in ancient China. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court. Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

Good Night, and Good Luck(en)

Livestreamed from the penultimate show at the Winter Garden Theatre in New York City, this stage adaptation of George Clooney's 2005 film follows the story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.

The Oslo Diaries(en)

A group of Israelis and Palestinians come together in Oslo for unsanctioned peace talks during the 1990s in order to bring peace to the Middle East.

Would Jesus Wear a Sidearm?(en)

Struggle(en)

Struggle is the story of how Ohio's 2004 presidential election was rigged through high tech and old fashioned ballot stuffing methods to deliver the election to George W. Bush.

Statues Also Die(fr)

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Two villages, one single walk(gn)

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

Armadillo(da)

Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.

Better Off Dead?(en)

A documentary on assisted suicide, authored by actor and disability rights activist Liz Carr.

9to5: The Story of a Movement(en)

In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces. This movement became national, and is a largely forgotten story of U.S. twentieth century history. It encapsulates a unique intersection of the women’s movement with the labor movement. The awareness these secretaries brought to bear on women’s work reverberates even today. Clericals were the low-wage workers of their era. America now confronts the growing reality of deep income inequality. The stories and strategies of these bold, creative women resonates in contemporary America.

The Human Condition III: A Soldier's Prayer(ja)

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

The History of the Civil War(ru)

The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.

Nasser 56(ar)

Nasser 56 is a 1996 Egyptian historical film directed by Mohamed Fadel, starring Ahmed Zaki. The film focuses on the nationalization of the Suez Canal by Egypt's second President, Gamal Abdel Nasser, and the subsequent invasion of Egypt by Israel, the United Kingdom, and France.

Security Treaty(ja)

An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.