Becoming Air(2025)

A Propos d'Enedice(fr)

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Missed Calls(en)

Filmmaker Wilma Smith goes back to her family home and listens to the voice messages left from her Mum and Dad.

A Letter from Kak Lafiif(en)

A farewell letter from a friend about moments, archives, and memories.

Eautopsie(en)

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Golden Chains(en)

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.

A Short Film About Endings(es)

A farewell to the amalgamation of memories that a family crossed by the passage of time leaves in Denia.

Inner Reflection(ja)

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

Bounded Intimacy(en)

Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)

Es Para Un Videodiario(es)

Mike is a young film student who is tasked with creating a video diary for his Fiction Production class during his fifth semester of university. With only a cellphone in hand, he begins documenting his daily life, without imagining that he will capture important and emotional moments which will be remembered forever.

Nerd Out(en)

A documentary about three different physical media shop owners "nerding out" about the media that their store specializes in and their thoughts on how one day physical media may become obsolete.

Pride & Snide(en)

A contrast between two kinds of attitudes to gay liberation in Adelaide.

Lugar de Nadie(es)

Bermuda Triangle(pl)

The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena taking place in the Bermuda Triangle. Experimental short by Jerzy Kalina.

Antrecore Show II(fr)

Hear O, Mahatma(en)

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

Things That Were There(en)

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

WigWigWig(en)

Experimental self portrait

Thermogenesis(en)

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the computers. John Godfrey helped with the video editing. I did the sound score. The original tape was done on 2" high-band color videotape, two computers, a Paik-Abe video-synthesizer, with studio chroma-keying and multi-generation video editing." A version of Computer Graphics #1, one of Emshwiller's very first video works.

Naturally... A Woman(es)

Through a careful selection of images and sounds extracted from various archives, the director of this short film offers a profound reflection on the process of discovering and blossoming her identity. In this personal journey, moments of stumbling, uncertainty and beauty are intertwined, revealing the complexity and richness of the search for authenticity and acceptance.