Missed Calls(2023)

Extremis(en)

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

By the Lake(fr)

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

Bakelite(en)

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

Strychnin-Krämpfe bei der Katze(de)

Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.

Epithelkörperchenexstirpation bei der Katze(de)

The movie shows the consequences of total and partial removal of the epithelial bodies in a cat

Äthersalivation und ihre Unterdrückung durch Atropin bei der Katze(de)

Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).

Muskarin-Vergiftung und ihre Beseitigung durch Atropin bei der Katze(de)

Parasympathetic irritation is generated in the test animal by subcutaneous injection of muscarine. Salivary secretion, miosis, convulsive evacuation of thin feces and severe shortness of breath as signs of intoxication with a parasympathomimetic. The symptoms of intoxication are reversed by subcutaneous injection of atropine.

Hund ohne Großhirn und Striatum(de)

Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.

Beutefang des Fischadlers(de)

Documentary on how the osprey catches its prey. The film shows the search for prey, the launch maneuvers, take-off maneuvers and the fights with the fish.

Crazy for Lynn Lowry(en)

Cult star Lynn Lowry discusses her early career and the circumstances that lead to her role in George Romero's The Crazies.

Romero Was Here: Locating The Crazies(en)

Romero historian Lawrence DeVincentz takes us on a guided tour of Evans City, PA and the locations used in The Crazies.

Just a Guy(de)

Three women contemplate their relationship with convicted serial killer Richard Ramirez.

Dissonant(xx)

Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.

Bodybuilding(de)

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.

13 figures de Sarah Beauchesne au 71, rue Blanche(fr)

Hammer A.D. 2023(en)

A short documentary to celebrate Hammer Films' 89th anniversary. Discover how Hammer has shaped the horror genre, influenced culture, and what the future holds. Featuring insights from new CEO and Chairman John Gore, candid conversations with legendary Hammer Glamour icons Caroline Munro and Madeline Smith, plus contributions from writer and actor Mark Gatiss. Plus, voices of the horror community — from seasoned critics to influential content creators — discuss the indelible mark Hammer Films has made on the genre.

Milk(en)

What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.

Joe's Violin(en)

A 91-year-old Polish Holocaust survivor donates his violin of 70 years to a local instrument drive, changing the life of a 12-year-old schoolgirl from the nation’s poorest congressional district, and unexpectedly, his own.

Sonic Break(en)

Exploring the sports psychology and mental training that helped Felix Baumgartner to jump from the Earth's stratosphere.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.