Quiet reflections at the end of the season.
Quiet reflections at the end of the season.
2024-09-06
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A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Three unlikely individuals attempt to escape the dark prison known as "The Void."
Unearthing the dark history behind a beloved park in Denver Colorado
The voices of artist, poet, and archaeologist Estebán Valdés and Lares-born, self-identified indigenous countrywoman Pluma Bárbara carry us through the interior landscapes of Puerto Rico, sharing oral histories, ancestral knowledge, memories, and thoughts about how we create consciousness around our cultural identity. The film brings to the forefront histories about women who are bearers of great knowledge, innovation, and creation, along with moments of darkness that visually represent our gaps in knowledge due to racially and politically motivated erasure.
Protagonist faces emotional dichotomy, after a recent relationship breakdown, about to record a film project
Pirouette, a dreamlike journey, a dissolving into a flowing human-animal-plant-machine consciousness, follows a sound artist who records horse sounds with her own body while a cellist on the street invades her imagination. This is the psychedelic conclusion of a trilogy about horse sounds: Passage - Piaffe - Pirouette.
Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.
An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.
A spritual inquisition lands in a village to inspect the dreams of a peasant and his renegade goose. Led by the zealous hums of a divine spectral apparatus, the visitation detects estranged frequencies, a 'spiritual reality' cloaked in the mundaneness of the peasent's home, leading to Cairo's City of the Dead.
In a bid to awaken his latent divinity, Phiel is forced to undergo an agonizing experiment, bombarded with visions of events from different time dimensions while trapped in isolation.
In the midst of a prayer, a young woman struggles to keep her faith.