Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.
Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.
2001-01-01
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A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
A re-telling of the annunciation story which blurs the sacred and the profane. The film combines many different optical film techniques with an exploration of drawing the human body which breeds Mickey Mouse with Michelangelo.
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.
An attempt to bring texts from Dante's "Divine Comedy" to life. Nine episodes from the Inferno with a concluding episode from the Purgatorio.
Astract stop-motion short film using "lightning doodles" by Tochka.
Although only a couple of minutes long, this animated short makes the point that oxygen is the stuff of life whether on land, in the air or water, but that it is becoming scarcer as man-made pollutants crowd it out. This is a film without words in which plants, birds, fish and, finally, man come to the same "breathless" end
A visual reinterpretation of dance and animated found footage.
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.
Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.