This movie is a letter to the creator's inner child. The creator talks about his journey of becoming a full-time creator. He started with a dream and bought his first camera to pursue his passion. He faced many challenges and doubts along the way, but he never gave up on his dream. He eventually achieved his goal and became a successful creator. The creator encourages his inner child to keep going and never give up on his dreams. He also reminds himself to be grateful for what he has achieved so far.
Himself
Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they are like brothers to her. 'I speak to them with my mind, or through my eyes, my heart or my soul, and I see that they understand and answer me.' Tippi is the daughter of French filmmakers and wildlife photographers, Alain Degre and Sylvie Robert, who have captured her on film with some of Africa's most beautiful and dangerous animals. Tippi shares her thoughts and wisdom on Africa, its people and the animals she has come to know and love. Often her wisdom is beyond her years, and her innocence and obvious rapport with the animals is both fascinating and charming.
A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has learned that he will die in 14 years’ time, unless he changes his way of living or attitude towards life. Joonas wants to make a film about the state of wellbeing of Finnish men, drawing from his own experiences and mirroring the society at large. The film is built around six stories. It starts with the context of school and proceeds through the contexts of military service, custody battle, burnout and substance abuse to end on the subject of premature death caused by health problems.
A short film of nostalgia in a youthful time through a stylized cascade of media and memories.
Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.
Some groups of skaters are classified as teams. At Globe there are only riders. Riders who define skateboarding through their unique character and perspectives on their world. Opinion, skateboarding: to each his own.
In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change.
Genuine connections between children and nature can revolutionize our future. But is this discovery still possible in the world's major urban centers? The new chapter of "The Beginning of Life" reveals the transformative power of this concept.
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
A portrait of a group of youngsters in Agger at the west coast of Jutland. They listen to the raw metalrock. They dress in leather and rivets. And that doesn't exactly lessen the generational divide.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
The director's grandfather is a blind fortune teller and his father a real-estate owner. They have grievances against each other for dismantling the old house. Grandfather thinks it's time for him to leave and asks Father to quit his job. At the same time, an accident happens at Father's construction site. They are entangled in dealing with the hatred from the past and the kinship that has always existed.
"Against an adverse sky, Celeste raises her flight. If he went up, nobody knows, nobody saw."
In an abandoned house, three young adults tried to reminisce about their childhood lives and the community they were once part of. As the storytelling continues, we find remnants of tragedy and trauma from their past.
Japanese cyber youth cultures have developed through the imaginative and novel use of technology. Underlying social, cultural and economic trends are examined such as Japan's unique, isolated island culture, the post-economic boom recession and changing attitudes towards the role of the corporation in work and career attitudes.
Tells the story of five people from the last generation of Soviet children who were brought up behind the Iron Curtain. Just coming of age when the USSR collapsed, they witnessed the world of their childhood crumble and change beyond recognition. Through the lives of these former schoolmates, this intimate film reveals how they have adjusted to their post-Soviet reality in today's Moscow.
In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.
A harsh and dreamy story of a young girl from the American West and her longing heart. Through Betty we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.