

Imagen de Caracas(1967)
Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
Movie: Imagen de Caracas

Imagen de Caracas
HomePage
Overview
Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
Release Date
1967-06-22
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
EspañolKeywords
Similar Movies
0.0El rey del bandolín(es)
Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.
7.7The Revolution Will Not Be Televised(en)
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
0.0Campoma(es)
Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
0.0La autonomía ha muerto(es)
In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
0.0Testimonio de un obrero petrolero(es)
Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.
8.0La Memoria es un Caracol(es)
Documentary about the life of Luis Mariano Rivera.
0.0Mayami nuestro(es)
Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.
5.7Black River(es)
Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez
Bolívar, Faro de América(es)
Documentary about the life of Simón Bolívar, directed by Antonio Bacé.
Little Square(en)
Intertwined stories of people fighting for love, survival and the truth during quarantine.
6.9Jesus Christ Saviour(de)
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
0.0Capturing Water(af)
Capturing Water delves into Cape Town’s escalating water crisis, a growing emergency in recent years. As pollution of natural water sources worsens and industrial and urban developments threaten access to clean water, government responses remain inadequate.
Watch You Rise(en)
Follows Isabella Grace Cohn as she works to understand and expose the roots of sexual harm — her peers’, her mother’s, and eventually her own. Along the way, she meets diverse survivors, perpetrators, and experts. Together they explore the cultural, educational and legal gray areas that fuel the cycle of harm in a quest for hope and transformation.
0.0This Is My Body(fr)
Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.
Awal: Nasib Manusia(id)
During the era of President Soekarno, several students were selected to study abroad, including Awal Uzhara, Sjumandjaja, Ami Priono, and Zubair Lelo. They were sent to Russia to study cinematography at VGIK (The Gerasimov Institute of Cinematography). Sjumandjaja and Ami Priono went on to become famous directors in Indonesia, but Awal Uzhara never had the same fortune. After completing his Master's degree in Moscow around 1965, political instability in Indonesia arose. The country's background, where Awal had studied, became associated with a negative stigma about communism, which was linked to him.


