Imagen de Caracas(1967)

The Revolution Will Not Be Televised(en)

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Campoma(es)

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

La autonomía ha muerto(es)

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Mayami nuestro(es)

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

La Memoria es un Caracol(es)

Documentary about the life of Luis Mariano Rivera.

Testimonio de un obrero petrolero(es)

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

Hugo Chávez: Itinéraire d'un révolutionnaire(fr)

El rey del bandolín(es)

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Azu(es)

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Little Square(en)

Intertwined stories of people fighting for love, survival and the truth during quarantine.

Black River(es)

Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez

Bolívar, Faro de América(es)

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Beating Vegas(en)

For years, a secret society of hyper-geniuses and anarchistic whiz kids at the Massachusetts Institute of Technology worked and played at devising a method of card counting that would take the gambling world by surprise. This is their story.

Shadow Kid(en)

The term “shadow children” is largely unknown in our society. It is about children who live with a terminally ill sibling. The entire attention of the parents is directed to the sick child. The healthy children are in the “shadow”, they take on tasks for which they are still far too young, they fill the family gaps that open up due to the overwhelm of the parents. Often enough, it seems like it is the days in the hospice the healthy children long for since here they are relieved of all burdens for a few hours.

Sorry Comrade(de)

Germany, 1970: Students Karl-Heinz and Hedi try to find a way to be together from across the Iron Curtain, with her in the East and him in the West. Under the pressure of the GDR’s secret police, Karl-Heinz can’t move to East Germany and eventually, Hedi has to leave the country. Her escape, disguised as a holiday trip to Romania, goes wrong in many ways.

Stories from the Second Floor(ml)

From the second floor of his coincidental new home, the filmmaker observes his surroundings; a vast green marshland with birds, animals, a pond and people. The filmmaker wonders whether there could be a space in the absence of stories or whether the camera forces spaces to create stories for its own survival.

The Fabulous World of Doctor Cadéot(de)

In Gascony, a sparsely populated region in the southwest of France, lives Dr. Jean Cadéot, a ninety-year-old veterinarian who continues to work tirelessly and still enjoys doing so. Although his eyesight is getting worse and worse, he treats his animal patients with all his senses and all his love.

Weathering(en)

Weathering intertwines the deeply personal stories of two Black key workers as they reveal their experiences of racism in the UK. The film explores the impact of the UK government-imposed Covid-19 lockdowns, and the worldwide anti-racism movement which grew after the murder of George Floyd. Both events have acted as a magnifying glass for the inequalities that exist within British society.

Galore(fr)

A grandmother living in a small Kenyan village completes her final year of primary school at the old age of 94.

Insoportablemente Vivo(es)

La Renga live at Huracán stadium in 2001.