Dyau tries to woo his upset lover. He holds onto her remnants, the further he drifts away from her--as a glimmer of hope shines.
Dyau
Dyau tries to woo his upset lover. He holds onto her remnants, the further he drifts away from her--as a glimmer of hope shines.
2024-06-25
0
Summer of 1999. Aspiring filmmaker Nik's search for love intertwines with a fantasy western he's writing, and Sapna, a visitor from India. As they navigate love, identity, and their pasts, they find the courage to embrace their future.
Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.
A vlogger embarks on a journey to explore the mystery of the 'Afterlife.' In the iconic Rock Garden in India, he witnesses a supernatural occurrence that sparks his connection with the spirit of a girl. He gets answers to the 'Afterlife' through her. Available on Amazon Prime Video in the USA and UK in these links: (USA) https://www.primevideo.com/detail/Planchette/0G59O531X4FPZY59A8UGJB2BJP (UK) https://www.amazon.co.uk/Planchette-Sunil-Babbar/dp/B0DPGVLLW5
After failing to make it big as a rock band, four Indian Americans in 1960s San Francisco attempt one last rebrand to ride the hippie wave and finally get their big break.
Two ex-lovers cross paths in a college corridor, triggering memories of their shared past.
What is Bangla kalpavigyan? Is there such a thing as Bangla Science Fiction? Is there such a thing as Indian SF? This is our journey with the genre, captured and presented like never before in film. Beginning with the early work of writers such as Rokeya Sakhawat Hussain (Begum Rokeya) and the speculative mode in Bengal, and ending with the pioneering webzine Kalpabiswa, the film traces the historical arc of kalpavigyan over a century of the genre. From the genre magazines of the 1960s-80s and the writers and editors who ignited the movement by giving it shape and form, the film presents a series of conversations and critical reflections from researchers and scholars who have worked with the genre both in relation to Bengal and kalpavigyan as well as the wider phenomenon of SF.
A Social worker Raj Chatterji fall in love with a simple girl Sayanti Ganguly. But sayanti did not like or love him because of his family high status. raj propose sayanti that he love her so much, but she insulted him and told his brother about raj. his brother talk to raj's father for take a steep about the matter.his father tell raj to forget sayanti. after some month raj could not forget the girl.
A man in emotional turmoil after a break-up seeks the advice of an imaginary figure to solve a missing person case.
A historical film about the Seneca culture featuring the Tonawanda Indian Reservation, Bury My Heart with Tonawanda tells the story of a developmentally disabled boy with Downs Syndrome who is rejected by his own family but is accepted and nurtured by the Tonawanda Seneca Nation.
When an Indian mother finds out her son is the victim of a vicious bully, she delivers her own brand of vigilante justice.
An Indian immigrant awakens inside a confined metal box, with the walls slowly closing in... unless he can do the work assigned to him.
An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar
MERA YAAR" Film based On a play in Punjabi by Dr. S.N.Sewak. It deals with an important phase of the struggle for the independence of India from the colonial British rulers in the early years of the twentieth century. It depicts the role of Kartar Singh Sarabha, a young revolutionary, who had gone to the USA for higher studies, as seen through the eyes of another revolutionary of later years, Bhagat Singh, for whom he was a role model. Interestingly, Bhagat Singh kept the photograph of Kartar Singh Sarabha in his pocket because he always sought inspiration from him. Thus, Bhagat Singh is the narrator in the play which follows 'ode and episode' technique.
It is an early winter morning in Kolkata in 1989 and the palatial old "Roy Choudhury" house lies dilapidated, housing the last few members of a once huge affluent joint family. Rudro, the younger brother of the last generation, an under-confident, nondescript man in his mid-30s tries to convince Rajatabho, the eldest of the brothers to take up the offer of selling the house in a desperate attempt to save themselves from bankruptcy. Rajatabho, however, is unrelenting. Rudro, later tries to convince Anjali, Rajatabho's wife, to help change her husband's mind. Later in the day, a crying Anjali grinds down sleeping pills on her kitchen slab. She reminisces down memory lane through each nook and corner of the house as she does this. Finally, at dusk, as Anjali stands alone on the terrace holding a bottle of sleeping pills, Rajatabho suddenly arrives and they look eye to eye for the first time in months.
At the end of the 18th century, hundreds of Indian sailors, known as lascars, worked amongst European settlers in Aotearoa New Zealand - often under the gruesome working conditions of seal hunting gangs. The story follows a lascar, Dasa, who has been abandoned on the coast of Aotearoa NZ by the East India Company, alongside his sealing gang. When Dasa finds himself in the middle of a conflict between his abusive British superior and two Māori traders, he is faced with a choice: bend the knee or take a stand.
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Haunted by his tragic past, Basant befriends a married woman even as the migrant community of Salt Bridge frowns upon this relationship.