Preceded by a legend describing its heroine as a 'Brave Indian girl who sacrificed royal luxuries to the cause of her people and her country', the story opens with a prologue showing Krishnavati and her infant son being thrown out of the house in a thunderstorm by the wicked Prime Minister Ranamal who also killed her brother. 20 years later the now adult son, Jaswant, is hit by a royal motor car and given a bag of gold in compensation. His refusal of the gift attracts the admiration of Princess Madhuri. When the nasty Ranamal, who wants to marry her, imprisons her father the king, she becomes the masked Hunterwali, 'protector of the poor and punisher of evildoers', and performer of stunts like jumping over a moving cartand fighting 20 soldiers at once. She steals Jaswant's prize horse, Punjab, but returns it later. Jaswant chances upon a nude Hunterwali bathing in the river and after a long duel captures her and takes her to Ranamal to claim his reward.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
An eight year old boy contemplates his relationship with Lord Shiva (the incarnation of Lord Vishnu) in the sacred city of Banaras.
A young prince frustrated with his royal lifestyle encounters a man, Trishanku, who has come from a far away planet. As their friendship blooms, they develop a deep bond with each other.
Boothnath vows to redeem himself when spirits tease him, and searches for a child to terrify. He befriends Akhrot, a slum kid, and helps him take on the country's most powerful politician.
About 500 years ago, the five kingdoms around Dholakpur joined together to end Kirmada`s rule. Now a mysterious force has brought him back from the dead. Don`t miss Bheem beat Kirmada & save the kingdom of Dholakpur once again!
Chhota Bheem and his friends decide to participate in the annual martial arts competition held at China, where the country's princess gets kidnapped by an evil demon Zuhu.
When a group of Indian and Pakistani nurses are held hostage in Iraq by a terrorist organization, a secret agent is drawn out of hiding to rescue them.
Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.
Dyau tries to woo his upset lover. He holds onto her remnants, the further he drifts away from her--as a glimmer of hope shines.
When MONU’s (11) parents decide to migrate from their remote Himalayan village to the city, he realizes that he may never be able to see SHERA, the elusive leopard that lives in the forests around his village. Everyone in the village seems to have seen her but MONU. As the day of departure nears, MONU grows despondent but his best friend RAJU is determined to give him the best parting gift he can think of – a view of SHERA.
Three restless cousins search for a way to achieve their dream of playing badminton in a little Indian town, overcoming obstacles such like the lack of a play area, the necessary equipment, having to go to work all day and dealing with a single mother and stuck-up neighbors.
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
Somewhere in the windy deserts of Rajasthan, a curious little boy from a family of nomadic musicians yearns to change his family’s fate through the magic and belief imbibed by his grandmothers folk tales.
The movie is based on the story of Ali Baba and the Forty Thieves, from the One Thousand and One Nights or Arabian Tales. The role of Ali Baba is played by Dharmendra and Hema Malini play Morjina.
When Anita Raja, CEO of Sheppard power plant, brings a power plant proposal to set up in rural Mahrashtra before the Nagres, insightful Shankar is quick to realise the benefits the power plant can bring to the people.
A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.
Maharaja Sharminder Bhupathi of Avanti and his wife, the Rajmata, would like to see peace in the region, and would like their daughter, Alaknanda, to marry the prince of Gandharva, Aditya Vardhan. While in Gandharva, Aditya has plans of his own, for he loves a courtesan, Jaswanti, and would not dream of marrying anyone else, much to the disapproval of his brother, Ugrarao. Not to be outdone, Alaknanda loves a young warrior by the name of Vikram Singh. Acharya Abangdev of Avanti has plans of his own, which do not include Alaknanda, as he would like to take the region over and rule over it through Ugrarao. Then the unexpected happens, Aditya is reportedly killed by bandits, and Abangdev announces that Ugrarao be the next king, but at the very moment, Aditya shows up, is crowned the king, and makes sweeping changes to Avanti for the betterment of the people.
After being granted immortality by the Hindu gods -- including his father, Vayu, the god of the wind -- Hanuman sets off on an epic journey.