Marketing film for Walt Disney World showing the creation of the new theme park, with footage of WED designers at work, actual construction, scale models, the Preview Center, and Walt Disney discussing his hopes for the project from an earlier 1966 film.
Marketing film for Walt Disney World showing the creation of the new theme park, with footage of WED designers at work, actual construction, scale models, the Preview Center, and Walt Disney discussing his hopes for the project from an earlier 1966 film.
1971-01-31
8
An overview of the Walt Disney World Resort in 1984, including the then new EPCOT Center.
During the investigation of the Agra treasure case, Holmes and Watson recall another case that Holmes had investigated earlier. The King of Bohemia comes to Holmes under a false name, who behaves somewhat arrogantly at first, and then plaintively asks for help.
Pharrell Williams - Live at iTunes Festival 2014
Filmed in one of Europe's most famous clubs, this DVD presents John Hammond in concert, performing his unique blend of country and Chicago style blues.
The magic island of Fogo, seen from the eyes of the kids and the reason why its inhabitants will never leave it.
Munch-Fals’ script follows Adam, who has so far been spoiled by life – a good job, a lovely wife, an expensive villa, an independent son – but still it isn’t good enough. Even the swinger weekend trips he has been taking with his wife have become a joyless routine, and his youthful optimism and appetite for life are distant memories. Then, one day, at another swingers’ club, he does what swingers don’t do – he falls in love.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
The construction team blindly developed the unknown island, which alerted the two fierce creatures on the island to be destroyed.
This film is dedicated to my 1-year-old daughter Hana/花(which means “flowers”) and my 3-year-old daughter Nemu/眠(which means “sleep”) who learns Hiragana recently. The reason why I created this film is that I wanted to show them “the magic” that their favorite Teddy bear can move.
When Galang tries to forget her fiance, fate brings him to Laras, a sweet girl who melts his heart. Unfortunately, Galang's temperament distanced himself from Laras. Not intentionally, Galang successfully beat up Lara's father who he suspected a criminal. Lara's father also had to be hospitalized because of good intentions of Galang who spread peanut butter. Galang and Lara's love increasingly complicated by the presence of a new boarding house residents, Donny. Youth calm but this cunning, guile have a million in his brain to get the heart Laras. Strategy struggle of "muscle" versus "brain" between Galang and Donny grab attention of Laras who was unavoidable. Discos and aided by a motivator psychiatric first-class, Galang trying to control his emotions in order to win the battle against Donny
Homage to the great Brazilian samba songwriter Noel Rosa (1910-1937).
A bible publisher is falling in love with a chorus girl and finds himself backing a Broadway show.
Jeff Ross visits several cities across the country, roasting the towns and the residents in volunteer-only speed roasts. Roasting his way through cities including Seattle, Toronto, Las Vegas, Miami and Madison, Ross roasts a statue of Abe Lincoln in Washington D.C., gets roasted by John Rich in Nashville, and in Minneapolis, brings an old friend onstage to tell a very intimate story the way only Jeff Ross can.
Gerald Hayo is a lesbian activist from Kenya. She is a survivor of one of the most cruel practices against LBQ women: corrective rape. This short documentary portrays her life as an activist in Mombasa, where she lives and works with her girlfriend Dee, and her return to Kisumu, her hometown, from where she had to flee after being disowned by her family. Nobody wants to see Gerald in Kisumu except her older sister, Cecilia.
Reminiscences (1909-26), family film by Ouro Preto filmmaker Aristides Junqueira, collection of the MAM-Rio Cinematheque and Brazilian Cinemateca, is unveiled in his stories and points of view in the form of a filmic essay with archive footage, family scenes, interviews and voiceover to tell the unknown biography of a Brazilian film pioneer.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
At the east of Mexico City, three people have decided to break the stereotypes set by society and build a new reality; where love, solidarity and dance are the axes.
German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.
The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.
Floridaland is an experimental documentary-style film about the delicate balance between nature and humanity in a dance of peace and chaos.
Engaging and light-hearted story of how a radical New Deal economic experiment during the Great Depression created an image of Key West in the popular culture and how that image became the island’s destiny. The film features interviews with famous contemporary writers, such as Gore Vidal and Russell Banks, and newly uncovered archival photos and footage, including rare Hemingway home movies.
A one-hour documentary that tells the story of how Standard Oil magnate Henry Flagler came to Florida in the late 1800s, built a railroad and hotel empire on the last American frontier, and launched a population boom that lasts a hundred years.
A group of military men uses explosives to de-root trees.