Movie: Les Enfants de la Patrie

Top 1 Billed Cast

Macki
Macki

Macki

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Les yeux dans les Bleus(fr)

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The Arrival of a Train at La Ciotat
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A Minha Avó Trelotótó
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A Minha Avó Trelotótó(pt)

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«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

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Agassizhorn: Mountain of Shame(de)

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A Story from Africa(en)

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Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.

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A Year in Burgundy(en)

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Time to Change
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Time to Change(pt)

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Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

TGV, la réussite française
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TGV, la réussite française(fr)

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Negotiating Amnesia
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Negotiating Amnesia(en)

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Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.