Ser...(2024)

Piracema - uma carta de amor ao teatro(pt)

Berenice(pt)

Elza(pt)

Tight(pt)

ÉVORA(pt)

"ÉVORA" follows the story of António Évora, an actor retired due to a health condition. The longing and permanent absence from the stage brings with it a reflection on the times when he was young, the joy of applause and what is to come.

The Stage(pt)

L'Audizione(it)

Corpo de Cena(pt)

Missing Scene(es)

During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.

Nem tudo são máscaras(pt)

Aquiles, an actor passionate about art, finds himself in conflict after receiving the tragic news that his theater company will close down. Accustomed to playing the masks of Commedia dell' Arte, the actor loses himself among them, alternating between reality and his former life on stage.

Brenda Lee and the Palace of Princesses(pt)

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transvestites", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for transvestites who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transvestites are welcomed by Brenda, who teaches them to want more out of life.

A Santa Joana dos Matadouros(pt)

Edipo Re(it)

Refulgent(es)

A young sculptor struggles to finish his masterpiece, a sculpture of a woman, as it inexplicably cracks.

Bom Dia Sem Companhia(pt)

Vini and Lara are two former child presenters who are invited to revive their old program in a special that will be recorded live 10 years after the end of the show. Between good and bad memories, joys and frustrations, they remember the times when they were loved by the entire country and face the marks that success left on each one's history and on their friendship.

Déjalo Salir(es)

A Armadilha(pt)

Natureza em Silêncio(pt)

Febre(pt)

The Tales of Hoffman - National Opera Company (INBAL)(fr)

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.