Edipo Re(1977)

Tight(pt)

Piracema - uma carta de amor ao teatro(pt)

ÉVORA(pt)

"ÉVORA" follows the story of António Évora, an actor retired due to a health condition. The longing and permanent absence from the stage brings with it a reflection on the times when he was young, the joy of applause and what is to come.

Elza(pt)

L'Audizione(it)

Missing Scene(es)

During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.

The Stage(pt)

Bom Dia Sem Companhia(pt)

Vini and Lara are two former child presenters who are invited to revive their old program in a special that will be recorded live 10 years after the end of the show. Between good and bad memories, joys and frustrations, they remember the times when they were loved by the entire country and face the marks that success left on each one's history and on their friendship.

Déjalo Salir(es)

Febre(pt)

Brenda Lee and the Palace of Princesses(pt)

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transvestites", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for transvestites who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transvestites are welcomed by Brenda, who teaches them to want more out of life.

The Tales of Hoffman - National Opera Company (INBAL)(fr)

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

A Santa Joana dos Matadouros(pt)

Corpo de Cena(pt)

Ser...(pt)

Estado da Arte(pt)

La favola mia(it)

Peppino Girella(it)

Tangos e Tragédias Para Sempre(pt)

La zapatera caprichosa(es)