L'Idea Centrale(1987)

Bydlo(fr)

An experimental short film about wind and sunlight sweeping across tree leaves.

Cheers,(en)

A bartender takes on the physical form of her imagined alter egos.

Failed Attempts To Hug Each Other(es)

Two brothers, estranged for years due to superficial disputes, face the impossibility of sharing their first Christmas after their grandmother's passing. A hybrid portrait of the impact of time on family relationships and the limits of reconciliation.

Ideas(en)

A series of random interconnected segments of a what goes through ones mind.

Am I Still On Time?(en)

This expressive and experimental short film by Iain Delavan features two distinct emotionally significant videos, broken up by an ethereal synthetic universe. Quoted by Delavan as "the best thing [they] have ever made", this film has many layers hidden underneath the seemingly simplistic surface.

Escombro(pt)

Escombro is a collage and found footage film that brings together a series of natural disasters around the world over the last thirty years. The film features disasters caused by climate change and also the exploitation of the earth's natural resources.

The Mermaid(es)

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Es quizás(es)

5-cent American Flag(en)

A cryptopolitical forensic investigation of the JFK assassination through acoustic ballistics and signs embedded into 1963 5-cent American flag stamps.

ODYSSEY(en)

A short inspired by Stanley Kubrick's 2001: A Space Odyssey (1968)

Love(tr)

A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.

African American Express(en)

African American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population.

"DOG" a short film by shinrabit(en)

A short film about creation and how it doesn't always go to plan.

end.(en)

There is a ghost of a lost man. He is seen in the phantom zone.

Guaret(ca)

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

In a Violent Suburbs(en)

A first person journey through a lunchtime adventure as he finds himself enthralled by a masterpiece.

MAY RENDER(en)

Top of mind: linear burned by the infinity prism; De luce (1215–20) by Robert Grosseteste; ultraviolet tremolo; spilled image; decay as yet another layer of lifted light

De Novo, Perdição(pt)

Cloud Film(en)

cloud film meditates on the calming effects of watching clouds, while also demanding action to combat our impact on the environment. It calls attention to a loss of control as the clouds turn into a storm, reflecting the momentum of climate change. As clouds float on screen, fluctuating between different frame rates, this film calls attention to its handmade form through the use of cameraless techniques such as ray-o-gramming, optical printing and hand processing.

Digital Resists Finitude(en)

What would happen if we'd try to perceive the digital image at a microscopic level? Would we be able to see between or behind the pixels, as if they were atoms in a vacuum? We can escape the frame by crossing its outer borders, but is there also a way out through the image? This film shows that digital images deny us these possibilities: no matter how far one zooms in, the medium will fill in the supposed emptiness, resisting finitude.