An independently produced documentary about growing up as a blind youth in 1960's Japan. It focuses on a group of elementary level students being taught by Mr. Kawai at the Zoshigaya Branch of Tokyo Educational University. Filmed over 12 years, the documentary tracks these student's lives up through their young adulthood. It follows the journey of one student in particular, Kiyoshi Hasegawa, a young boy who eventually learns a passion for music and wants to become a recording artist. Expanded from director Hideo Hamada's documentary short "But We Can Gaze!"
Himself
Narrator
An independently produced documentary about growing up as a blind youth in 1960's Japan. It focuses on a group of elementary level students being taught by Mr. Kawai at the Zoshigaya Branch of Tokyo Educational University. Filmed over 12 years, the documentary tracks these student's lives up through their young adulthood. It follows the journey of one student in particular, Kiyoshi Hasegawa, a young boy who eventually learns a passion for music and wants to become a recording artist. Expanded from director Hideo Hamada's documentary short "But We Can Gaze!"
1969-01-01
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A renowned old hotel near Nagoya Station has been in the red for four consecutive fiscal terms. When the old management stepped down, Akio Shibata, who has long been in the board of the labor union, is appointed its new general manager. Shibata's method for reviving the hotel consists of neither the laying off of the staff nor the introduction of performance-based system. He wants everyone to take part in the making of new management plans and for all employees to lodge together and engage in heated discussions about their management dreams all night. Yes, his management ideal is to "have the happiest employees in Japan" working in their hotel. He throws birthday parties for employees and has company cafeteria remodeled. All these changes bring about yet another change in the mind of everyone.
Join Phil Morrison and James Robinson from Driftworks, Mitto Steele from MeiNoMai and Pieter Gouwy from Garage Portello on a mind blowing tour of the real drift scene in Japan and the culture behind it.
Toshio and Shizuko Omiro, both over seventy years old, have lived in Kawasaki, Japan since 1981. With their free-spirited lifestyle, the improvisaton duo continues to pursue their vision of changing the world into a more peaceful one in an inappropriate and unseemly way.
Carried by an immersive sound environment that plunges us in the reality and the perceptions of these resilient and inspiring people, this film questions our own blindness face to violence and suffering of our time — despite the overabundance of images that reach us — and highlights the urgency of lending an ear to hear these stories.
Akina Nakamori's second video work "Hajimemashite" consists of 12 songs (including three singles "Slow Motion," "Girl A," and "Second Love") from her debut year (1982), filmed at Santa Monica Beach in Los Angeles and other locations where Akina Nakamori visited to record and interview for "Slow Motion" from March 11 to 17, 1982, just before her debut. It also includes the recording of her debut song "Slow Motion," and is full of valuable memorial footage from before her debut!
NEW AKINA Étranger Akina Nakamori in Europe is the first video release released by Nakamori Akina. It was released on October 12, 1983.
In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.
Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.
Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.
Tokyo is a fascinating city of extremes, blending the old traditions with visions of the future and an extraordinary pace of life. A shock of skyscrapers and neon, it's a gleaming example of Japan's post World War II success. Traveller Ian Wright begins his stay by experiencing the spiritual side of Tokyo at the peace loving Senso-ji temple. After a gentle introduction he throws himself into the pace of the city and discovers some incredible technology and fashion! He then heads to Mount Fuji for a crowded climb to the summit, before ending his trip experiencing the infamous Tokyo nightlife.
The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.
A look behind the scenes of Olaf Ittenbach's splatter classic, which was made over a period of four years with a total budget of just DM 180,000. We learn the essentials about the realization of the elaborate special effects and filming, numerous scene excerpts as well as interviews with actors and producers.
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.
This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.