Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.
Himself
Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.
2023-12-01
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Rudy & Des is a short documentary that tells the story of true friendship between two friends who find a common bond in their love of pro wrestling.
A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
Beat Goes On is an impressionistic portrait of the activist Keith Cylar (1958–2004), co-founder of Housing Works and a central figure in the AIDS Coalition To Unleash Power (ACT UP) NY. Cylar spoke clearly, frequently and with moral force about the struggles of people living with HIV/AIDS in New York City, many of whom were impoverished and struggling with multiple social and medical problems. His openness about his own drug use and the centrality of the fight against the criminalization of drugs for AIDS activism make Cylar's legacy especially resonant and relevant at this time.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.
Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.
This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
"Birth is not a beginning and death is not an ending. They are merely points on a continuum." - Elisabeth Kübler-Ross
The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie's story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.
"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net
Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.
Carried by an immersive sound environment that plunges us in the reality and the perceptions of these resilient and inspiring people, this film questions our own blindness face to violence and suffering of our time — despite the overabundance of images that reach us — and highlights the urgency of lending an ear to hear these stories.