Die Mutigen 56 - Deutschlands längster Streik(2024)

My Life Without Me(en)

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

Open Hearts(da)

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

In Still Waters(es)

Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.

The Trials of Oz(en)

Dramatization of the famous 1971 trial in which the editors of the British underground magazine "Oz" were charged with obscenity.

11 Freundinnen(de)

A documentary on the German Women Football National Team and the 2011 FIFA World Championship in Germany.

i hate myself :)(en)

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

Memória, identidades e ancestralidade como possibilidade do estudo de história em sala de aula(pt)

Italian for Beginners(da)

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

The Secret Life of Words(en)

A touching story of a deaf girl who is sent to an oil rig to take care of a man who has been blinded in a terrible accident. The girl has a special ability to communicate with the men on board and especially with her patient as they share intimate moments together that will change their lives forever.

The Powder Room(en)

From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.

Beans(en)

Twelve-year-old Beans is on the edge: torn between innocent childhood and reckless adolescence; forced to grow up fast and become the tough Mohawk warrior she needs to be during the Oka Crisis, the turbulent Indigenous uprising that tore Quebec and Canada apart for 78 tense days in the summer of 1990.

Dead End(el)

The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.

The Truth Beneath(ko)

For 15 days, a politician and his wife navigate a scandal after their daughter goes missing on the eve of the national elections.

Don't Tell(en)

Based on true events that changed the law. This is the story of a survivor, Lyndal, a young woman sexually abused as an 11 year old while attending a prestigious school. Her courage to fight for justice is entrusted to a local lawyer determined to build a case and give Lyndal peace from her torment. With the help of his aspiring young associate and an enigmatic barrister, the lawyer and Lyndal find their way together.

A Drop of Water(en)

A woman disappears after a tumultuous evening with her father and boyfriend at a family party.

The Rehearsal(en)

First-year acting student Stanley mines his girlfriend's family scandal as material for the end-of-year show at drama school. The result is a moral minefield.

The Man Who Was Allowed to Leave(fo)

An elderly man one day realises that he will leave his wife for the much younger Maria. His wife reacts stoically. She is neither angry nor unhappy but thinks he should be allowed to sow a few wild oats. She is convinced that he will come to his senses and return to her bosom. He does - but not quite in the way she had imagined...

Le plafond de verre(fr)

This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.

Forever(en)

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

Breakfast Lunch Dinner(cn)

Helmed by three female directors, this omnibus features three films set in China, Thailand and Singapore respectively. Each story occurs at a specific mealtime, and seeks to interpret the frailties and complexities of love through different Asian perspectives. All three stories are tethered with the question, "Will you marry me?" Mirroring the repasts themselves, Breakfast and Dinner are heavier in tone, while Lunch is light with a sprinkle of humor.