Film cameras cruise the Soviet Union's mighty Volga River, providing a view of the Russian people along its 2300-mile length, including looks at the fishing industry, a rural village, a manufacturing town and the wedding of two factory workers.
Film cameras cruise the Soviet Union's mighty Volga River, providing a view of the Russian people along its 2300-mile length, including looks at the fishing industry, a rural village, a manufacturing town and the wedding of two factory workers.
1977-03-08
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A double portrait of two dictators who were thousands of miles apart but were constantly fixated on each other.
January 1953: On the eve of his death Stalin finds himself yet another imaginary enemy: Jewish doctors. He organizes the most violent anti-Semitic campaign ever launched in the USSR, by fabricating the "Doctors' Plot," whereby doctors are charged with conspiring to murder the highest dignitaries of the Soviet Regime. Still unknown and untold, this conspiracy underlines the climax of a political scheme successfully masterminded by Stalin to turn the Jews into the new enemies of the people. It reveals his extreme paranoia and his compulsion to manipulate those around him. The children and friends of the main victims recount for the first time their experience and their distress related to these nightmarish events.
The film is an emotional story about fateful historical events in the 20th century, which took place in three Baltic countries- Latvia, Lithuania and Estonia. The story is also about their efforts to gain independence.
The story of what daily life was like in Poland under communism: private conversations, cruel interrogations, recruitment attempts, recorded and filmed with hidden devices; of how the secret services spied on every activity of ordinary citizens: nothing escaped the brutal system of control developed by the Soviets in the name of freedom.
How does art survive in a time of oppression? During the Soviet rule artists who stay true to their vision are executed, sent to mental hospitals or Gulags. Their plight inspires young Igor Savitsky. He pretends to buy state-approved art but instead daringly rescues 40,000 forbidden fellow artist's works and creates a museum in the desert of Uzbekistan, far from the watchful eyes of the KGB. Though a penniless artist himself, he cajoles the cash to pay for the art from the same authorities who are banning it. Savitsky amasses an eclectic mix of Russian Avant-Garde art. But his greatest discovery is an unknown school of artists who settle in Uzbekistan after the Russian revolution of 1917, encountering a unique Islamic culture, as exotic to them as Tahiti was for Gauguin. They develop a startlingly original style, fusing European modernism with centuries-old Eastern traditions.
Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.
In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.
How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.
Dziga Vertov-directed Soviet newsreel covering: The opening of an electric generating station / Trial of the Socialist Revolutionaries.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
Leon Trotsky is considered one of the most controversial revolutionary figures of his time. Was he a practical revolutionary or a naive idealist? On the practical side, he was the mastermind behind the Bolshevik seizure of power in 1917, and was totally ruthless during the ensuing Civil War. As an idealist, he was committed to the pursuit of international revolution, but created many political enemies. After Lenin's death, Trotsky lost in a power struggle with Stalin, and later was expelled from the Communist Party. Trotsky was exiled from the Soviet Union, eventually finding refuge in Mexico. In 1940, Stalin ordered his assassination, and Trotsky died after being struck in the head with an ice-pick. History records that Trotsky was a master theoretician, a skillful propagandist and a brilliant orator.
This film examines Trotsky, the revolutionary; venerated and reviled, loved, hated, feared. Archive material compiled from all over the world, citations and new shoots create an electrifying proximity to the historical person and to the man Leo Trotsky. Stages in his life and eventual flight are carefully examined, from St. Petersburg, to Mexico City. This is the riveting political biography of the Revolution's onetime hero.
When Neil Armstrong stepped onto the moon in 1969, America went down in popular history as the winner of the space race. But that history is bunk. The real pioneers of space exploration were the Soviet cosmonauts. This remarkable feature-length documentary combines rare and unseen archive footage with interviews with the surviving cosmonauts to tell the fascinating and at times terrifying story of how the Russians led us into the space age. A particular highlight is Alexei Leonov, the man who performed the first spacewalk, explaining how he found himself trapped outside his spacecraft 500 miles above the Earth. Scary stuff.
Emmy Awards nominee for "Outstanding Individual Achievement in a Craft: Research: Multi-faceted portrait of the man who succeeded Lenin as the head of the Soviet Union. With a captivating blend of period documents, newly-released information, newsreel and archival footage and interviews with experts, the program examines his rise to power, deconstructs the cult of personality that helped him maintain an iron grip over his vast empire, and analyzes the policies he introduced, including the deadly expansion of the notorious gulags where he banished so many of his countrymen to certain death.
Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.
A film about a man who lives a parallel life to Soviet reality, and is both consciously and subconsciously a prickly and partially misunderstood citizen. He is poet Knuts Skujenieks, an exceptional personality not only in Latvia, but also within an international context, whose difficult struggle with the totalitarian regime reflects the true value of selfless work and unbending stance. The story, with its undercurrent of true humanity, allows a glimpse through Knuts Skujenieks’ life onto each of our fates.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.
A documentary, originally produced for Dutch television, on the life and works of Osip Mandelstam (1891-1938), the groundbreaking Soviet poet and dissident.