Gdud A'liyah

Charlie Marx and the Chocolate Factory(en)

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

A City Fights Back: How LA Defends Itself from ICE(en)

As ICE raids intensify across Los Angeles, a high school teacher leads the grassroots resistance.

Disaster at Chernobyl(en)

The explosion at Chernobyl was ten times worse than the Hiroshima bomb and was due to a combination of human error and imperfect technology. An account of the sixty critical minutes prior to the explosion of the nuclear power plant on the night of April 26, 1986.

The Price of Shelter(nl)

Private-sector rented accommodation for the Surinamese and Antillean Dutch who increasingly moved to Amsterdam from these former colonies in the early seventies was woefully inadequate. In 1982, André Reeder graduated from The Netherlands Film Academy (NFTVA) with Onderneming onderdak (The Price of Shelter) – a documentary about this appalling situation.

Operation "Wedding"(he)

Leningrad, 1970. A group of young Jewish dissidents plot to hijack an empty plane and escape the USSR. Caught by the KGB a few steps from boarding, they were sentenced to years in the gulag and two were sentenced to death; they never got on a plane. 45 years later, filmmaker Anat Zalmanson-Kuznetsov reveals the compelling story of her parents, leaders of the group, "heroes" in the West but "terrorists" in Russia, even today.

Bialik - King of the Jews(he)

By the age of thirty he’d already become the most famous poet in the Jewish world. He spent very few years living in Tel Aviv, but he loved the city dearly. Some 100,000 people attended his funeral in 1934. “King of the Jews” is a portrait of the most beloved Jew of his day, Chaim Nachman Bialik. Combining special animation, a voice track by Chaim Topol, rare archival footage, long-forgotten photographs, poems by Bialik performed by Ninet and interviews with the foremost Bialik researchers and fans in Israel and around the world, this film retells the story of the little boy from the shtetl, who became King of the Jews.

The Roots of the Mideast Conflict(en)

DVD #3 of Psalm.83: The Missing Prophecy Revealed, by Bill Salus; The present hostilities experienced in the Middle East between the Arabs and Jews can be traced to a disposition of hatred, originating almost four thousand years ago. In this teaching video, Bill Salus explains how the ancient family feuds between the Middle East patriarchs and matriarchs are the underlying roots of today's Arab-Israeli conflict. Find out what nations were formed from their loins and why their descendants still covet the rich content of father Abraham's unconditional covenant.

Ion(fr)

My name is Ion. Who could have imagined the fate that awaited me: my birth under the Romanian dictatorship, the loss of my eyesight through an accident, my sudden escape from my homeland to seek a future that was a little too idyllic? One thing is certain: fate is like all the criminals that I listen to today for the Belgian federal police. With a little willpower, there is always a way to dodge its tricks. The person who taught me that is a close and loyal childhood friend. That friend is literature. Without her, I probably would not be what I am now, here, among you.

Rouge ! L'Art au pays des soviets(fr)

In the Russian Empire of the 1910s, a group of visionary painters revolutionized the aesthetic norms of their time and opted for radical abstraction. In the years between the seizure of power by the Russian Bolsheviks and Stalinism in the 1930s, the avant-gardists developed a new form of art that ushered in modernism.

Babylon(ar)

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Last Whites of the East End(en)

Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.

The Gatekeepers(he)

In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel's intelligence and security agency — speak about their role in Israel's decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means.

CIA vs KGB: Battleground Berlin(fr)

For 50 years, Berlin was the symbol of the Cold War. The city at the heart of the intelligence war between the US and the Soviet bloc. Thousands of KGB or CIA, agents observed each other, cogs in the biggest information war in history.

Those Who Jump(en)

In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.

Watchers 9: Days of Chaos(en)

WATCHERS NINE, DAYS OF CHAOS attempts to pull together a team of experts to try and answer some of the most disturbing questions about the times in which we live. Host/Author L.A. Marzulli covers many topics of interest: Dr. Brooks Agnew tells us about EMPs and Jade HELM. We investigate the bee die-off, the 7 year drought in California, violence increasing, Director Richard Shaw found aliens in the Kumburgaz UFO footage and shows how he did it, a pastor in Iran tells us that Yeshua is visiting

You Can't Live Like That(ru)

A film about the sociopolitical condition of the Soviet society at the end of the eighties.

A Magical Substance Flows Into Me(ar)

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians?

Agenda Item: Erasure(he)

Seven political activists from Israel come together in a theater in Tel Aviv and read from the transcripts of government meetings dating back to 1948, which had been classified until recently.

La seconda patria - Another Homeland(it)

The cats, the sea, and everything in between.(en)

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.