A story with almost 100 years told by the 95 years old woman Floripes.
A story with almost 100 years told by the 95 years old woman Floripes.
10
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
A retired Canadian professional wrestler from a very famous family recounts an amazing life in the ring and discovers an unexpected new family connection.
Born in 1943 in Bessarabia region, Victor was forced to flee his homeland because of the war. After 77 years, his grandson, Dan, goes back there with his grandpa, Victor, who is recounting memories and seeking information about his birth and his lost relatives, in the country that is now the Republic of Moldova.
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
Gregorio, Dolores and Zoila are three elders excited about the arrival of a new member to the family; Esteban, their great-grandson. Through the memories of their ancestors, they narrate themes of loneliness, love, union, loss, and hope. They search through their belongings for a special gift to leave to a future Esteban, who may never know them as an adult. The short film itself is a gift that will make them endure in their family history.
The untold history of Portuguese Heavy Metal with: Moonspell, Tarantula, Thormenthor, Ramp, Sacred Sin, Arte & Ofício, NZZN, Braindead, Bizarra Locomotiva, Heavenwood, Procyon, and many more.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges' astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe's godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.
The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.
In the Western world, the life expectancy for most of us is around 80 years of age. But in every corner of the planet, there are people who live extraordinarily longer than the average person. Scientists are discovering that unlocking the genetic secrets of animals and humans who live longer than most is the key to helping the rest of us wind back our cellular clocks naturally, live longer lives and can even improve fertility. In Live Long Die Young, Anja Taylor went on a 5-day fast that experiments are showing promising results for in the fight against the four major diseases of getting old.
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
Richard Overton, at 109 years old, is the oldest living WWII veteran. He lives alone, still drives, and has a 91 year old girlfriend named Ms. Love. In this snapshot of his daily life, we learn something about what life is like at 109 years. As he says, 'I may give out, but I'll never give up.'