The Giacomettis(2023)

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution(de)

The Magical Life of Long Tack Sam(en)

Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/

Nina - Botando o Bloco a Rua(pt)

Soulman(en)

A retired Canadian professional wrestler from a very famous family recounts an amazing life in the ring and discovers an unexpected new family connection.

77 Years Back(ro)

Born in 1943 in Bessarabia region, Victor was forced to flee his homeland because of the war. After 77 years, his grandson, Dan, goes back there with his grandpa, Victor, who is recounting memories and seeking information about his birth and his lost relatives, in the country that is now the Republic of Moldova.

All My Fathers(de)

Jan's father is not his father at all. The directors knows this and takes this fact as the starting point for a very personal documentary film project about the search for his biological father(s).

A Landscaped Area Too Quiet for Me(es)

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

A Family(fr)

Award-winning French writer Christine Angot goes on a business trip to Strasbourg where her father lived before dying several years ago. It is the city where she met him for the first time at the age of 13, and where he sexually abused her over the following years. His wife and children still live there. Angot takes a camera and knocks on the doors of her family to push them to clarify their attitudes to her father’s crime that stretched over so many years. A cinematographic journey that challenges social norms and family perspectives in dealing with incest.

Grandad(en)

Follow the tender and fascinating life of Mallory B. Winstead, the fearless and visionary army veteran and family man.

Strudel Sisters(hu)

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

Memory Box(pt)

To open a photographs box is to travel through past and present, thinking about the future.

Monsieur Mayonnaise(en)

Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges' astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe's godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Im Schatten des Apfelbaums(de)

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Faces from Home(pt)

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

Tale of Two Mothers(en)

When Jamie Diamond bought a discarded German family photo album from 1938, she did not expect to make art with it. But upon bringing a child into Trump's America, she began to notice uncanny parallels, and set out to recreate the original snapshots with her own son, collapsing space and time, merging pixels with the grain.

I have KIEL to tell(de)

In 1936, the Kiel dentist Dr. Rudolf Schultz bought a film camera to capture the development of his son Dieter. Over the years, many film rolls were exposed - they all tell much more than just the story of this one person, they also bear witness to the city on the Förde before and during the war. The result is much more than an atmospheric insight into a private family history; it is also and above all a fascinating time document of the city Kiel. The visual material of Dr. Schulz shows unique quality. This man was certainly a dentist; but he was also a great talent at the film camera!

Along the One Way(id)

One day, my mother asked me to come home. When he got home, he asked everyone, including me, to vote for a Muslim mayoral candidate. I turned it down because I didn't agree. Therefore, the mother forced to choose based on religious arguments. Until finally the regional head election was over, I didn't vote for anyone.

De Aracaju a Harvard(pt)