A conflict between a cat that craves shiny objects and its owner, who tries to calm the cat down. It appears as if they are fighting each other seriously, but it's actually a peculiar form of dance. The dancers' unrealistic and acrobatic expressions depict the movements of cats—a grotesque and stupid human appearance interspersed from a cat's perspective.
A conflict between a cat that craves shiny objects and its owner, who tries to calm the cat down. It appears as if they are fighting each other seriously, but it's actually a peculiar form of dance. The dancers' unrealistic and acrobatic expressions depict the movements of cats—a grotesque and stupid human appearance interspersed from a cat's perspective.
2024-05-02
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History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
datamatics showed Ikeda at the height of his artistic powers, building on his own unmistakable artistic language. The Wire on Ryoji Ikeda, 2006 datamatics is the latest audiovisual concert in Ikedas datamatics series‚ an art project that explores the potential to perceive the invisible multisubstance of data that permeates our world. Using pure data as a source for sound and visuals, datamatics combines abstract and mimetic presentations of matter, time and space in a powerful and breathtakingly accomplished work. The technical dynamics of the piece, such as its extremely fast frame rates and variable bit depths, continue to challenge and explore the thresholds of our perceptions.
After committing a gruesome act of violence, the fallen angel September reflects on their relationship with Rowan, the human who came to their aid.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.
The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.
This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.
A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
Scroll paintings prepared like film strips with successive images.
The desolation of vast retail spaces is not so far off from the decay of one's memories.
Young boy confesses his love toward a grocery store chain in a abstract manner.
Four aspiring YouTubers vlog about delivery driving as their relationships fall apart.
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.
A personal experimental exploration of the book of Psalms in the Holy Bible