Datamatics - ver2.0
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0.0Green Pink Caviar(en)
Models are seen licking brightly colored candy on a sheet of glass. The video illustrates the moment where clarity becomes abstraction and beauty commingles with the grotesque.
0.0The End(et)
It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.
0.0The Psychedelic Experience(en)
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
Between Tides(en)
a sensorial journey on a scottish island reminding us of the connection between the living questioning our relationship to the sea and to the land
0.0Eternal Presence: Journey into the Mind(en)
The film follows a girl born during the Iranian 1979 revolution, growing up amidst war and global events, leading to her breakdown and subsequent healing through self-care.
10.0Absorción(es)
The emotional decline of a person after being the host of an energetic parasite.
10.0Elements of Nothing(ja)
For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.
1.0Triumph and Ruins(it)
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
0.0Kino Kopf(en)
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
10.0Plague Mass(en)
A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.
0.0FOREIGN AFFAIRS(en)
Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
10.0Functional Block Diagrams(en)
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
0.0Speaking in Tongues: Take One(en)
A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.
8.0Phantasia(xx)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0reMemBer2.human(sq)
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
0.0Reflections of a society(es)
In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.
![Ars Electronica 2009: Datamatics [ver.2.0] by Ryoji Ikeda (Part 1)](https://img.youtube.com/vi/E90GdVirzwA/sddefault.jpg)


