At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
1972-02-19
6.3
Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.
The tragic story of a young orphan girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.
A forerunner of Al Primo Soffio Di Vento. Observations along the riverside, the flow of water, the stasis of life, and the emergence of a teenager’s sexual desires.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
Many have been aspiring for the position of Major Mac Favila, who is every cadet's ideal officer considering he is sharp, snappy, witty, and most of all, the most masculine among the school's many officers. Private Abel Sarmiento, who was abused when he was a child and Cain Fujika, a Filipino-Japanese whose mother worked abroad as a japayuki are the top contenders for his position.
Evil aristocrat covets his brother's wife, swordsman-for-hire comes to her rescue.
A trio of teens up to no good in a graveyard discover that the line between the world of the living and the world of the dead is not as clear as we think it is.
A new dress plays a key role in the lives of four women who are not acquainted with each other.
Steve is very good at his job. Some might say a little too good. To some others... suspiciously good. The nature of Steve's ascension to corporate glory is riddled ...
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Four sorority girls -- Nikki, Chloe, Lori, and Toni -- head out to the mountains to find out the truth about the local legend of the Bare Wench. It isn't long before the gals get lost, run out of food, and begin succumbing to the fear that they're doomed.
Nesting is a story about Veikka (20), who is about to leave his work place - a construction site owned by Kari (50) - to start a new life in the big city. Veikka thinks the goodbyes will go smoothly, but gets interrupted by a rare situation: there’s a baby in the crane. The surprising problem is an annoyance at first, but in the end it opens up communication between the employees in a way that has been difficult in the past.
The Brain designs a mesmerizing doll, Noodle Noggin, and plans to have Santa Claus deliver one to every house so he can make people do his every command through mind control.
George Strait plays the last concert at the Houston Astrodome.
Two men who are trying to sell a life in uniform to young people fall victim to their own wrath in this allegorical drama.
Successful model Jessica Marsh and her fiancé, up-and-coming business lawyer Oliver Barnes, are the model couple of London society. Jessica's happiness would be complete if Oliver could finally decide to propose to her and start a family. But Oliver thinks Jessica's principles, such as marriage vows and fidelity, are out of date. While Jessica is in Devon with her photographer and godmother Bridget looking for motifs for a new photo series, she meets the mysterious organ builder Max Ryman. Max falls in love with the enchanting young woman straight away, and Jessica also finds it hard to resist his charm and charismatic appeal. But Jessisca calls herself to order - after all, she is happy with Oliver.
A man, in need of money and too lazy to work for a living, marries a plain but rich girl in the knowledge that she is ill and has not long to live.
A stationary camera looks slightly uphill at a crowd of children and adults, most wearing a hat, a cap, or a ribbon, as they engage in tossing eggs or, for most of them, watching the fun. At least one child carries a wrapped gift. There are white and black children, and in the distance, two women seem to be the organizers. One enthusiastic young man, his back to us, catches and throws a few. He seems to be playing catch with one of the women at the top of the frame.
A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.
On Wednesday 27th January 1999, Whiskas Singles made advertising history. The first-ever commercial for cats was shown on British TV. The results? Thousands of cats across the length and breadth of Britain jumping, staring and listening. (Apart from the ones who completely ignored it.) Even cat owners enjoyed the ad. It was splashed across the national press and TV and made the news as far away as Australia and the US. Now it's on video, along with an explanation of how the ad works and reactions from both cats and owners. Watch it with your cat and see what he or she thinks. (In our tests, 8 out of 10 preferred it.)
Journalistic chronicle made by Ocelote from the Colima zoo “Ecoparc” that reconstructs the mysterious case of a pair of animals on display, a red deer and a mouflon sheep, killed with a firearm by a mysterious criminal.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
“The Talk” showcases the experiences of three LGBTQ+ youth learning about sex health under an inadequate Canadian sex-ed curriculum. Each subject opens up about their knowledge surrounding sexual health, gender identity, the not so honest information they were taught in their classrooms and its impact on their self-image.
Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.
Rajah Caruth wasn’t supposed to be a NASCAR driver. As a Black kid growing up in Washington D.C., he had no connections and little representation in the industry. Determined to fulfill his childhood dream of becoming a driver, he pursued the only path he saw available: virtual racing. He made a name for himself in the online world of iRacing, leveraging his rapidly growing talents and personal brand into a spot in a real-life race car. In the few short years since Caruth first got into a car, he has risen to NASCAR’s penultimate racing series, with his sights set at the top. This short documentary tells his story and follows him as he prepares for a bold new chapter in his racing career.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
In 1969, Akbar Padamsee, one of the pioneers of Modern Indian painting, made a visionary 16mm film called Events in a Cloud Chamber. This was one of the only Indian experimental films ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89 years old, to remake the film.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.