Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
Self - Senior Fashion Writer, Vogue
Self - Founder & Director, Fashion Law Institute
Self - Fashion Designer & Artist
Self - Indigenous Studies Scholar
Self - Elder & Former Chief
Self - Descendent of Shaman Qingailisaq
Self - Artist & Fashion Designer
Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Documentary chronicles the disappearance of Tom Brady's jersey following the New England Patriots improbable Super Bowl LI comeback victory over the Atlanta Falcons. Through never-before-seen footage and exclusive conversations with Brady and others behind-the-scenes, the film looks intricately at the investigation as well as the boundaries of fandom and redemption.
A look inside Julian Edelman's journey from major injury to Super Bowl MVP in 2019.
A personal, scientific, mystical exploration of Amazonian curanderismo, focus on Ayahuasca and Master Plants, their healing and visionary properties and risks, along with the Shipibo people and their songs.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
An intimate and emotional documentary that chronicles Philadelphia Eagles team captain and All-Pro center Jason Kelce’s 2022 season, which began with him confronting one of the most challenging decisions any professional athlete will ever face—is now the time to hang it up?
Today, few people's clothes attract as much attention as the royal family, but this is not a modern-day paparazzi-inspired obsession. Historian Dr. Lucy Worsley, Chief Curator at Historic Royal Palaces, reveals that it has always been this way. Exploring the royal wardrobes of our kings and queens over the last four hundred years, Lucy shows this isn't just a public fascination, but an important and powerful message from the monarchs. From Elizabeth I to the present Queen Elizabeth II, Lucy explains how the royal wardrobe's significance goes far beyond the cut and color of the clothing. Royal fashion is, and has always been, regarded as a very personal statement to reflect their power over the reign. Most kings and queens have carefully choreographed every aspect of their wardrobe; for those who have not, there have sometimes been calamitous consequences. As much today as in the past, royal fashion is as much about politics as it is about elegant attire.
For millennia, Native Americans successfully stewarded and shaped their landscapes, but centuries of colonization have disrupted their ability to maintain their traditional land management practices. From deserts, coastlines, forests, mountains, and prairies, Native communities across the US are restoring their ancient relationships with the land. As the climate crisis escalates these time-tested practices of North America's original inhabitants are becoming increasingly essential in a rapidly changing world.
On June 26, 1975, during a period of high tensions on the Pine Ridge reservation in South Dakota, two FBI agents were killed in a shootout with a group of Indians. Although several men were charged with killing the agents, only one, Leonard Peltier, was found guilty. This film describes the events surrounding the shootout and suggests that Peltier was unjustly convicted.
The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Examining the movement that is ending the use of Native American names, logos, and mascots in the world of sports and beyond.
Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.
In Chile, where European football (i.e., soccer) is the dominant sport, Coach Carlos Zuniga offers at-risk teenage boys a unique opportunity to learn and play American-style football. He struggles through a grueling season trying to balance teaching the unfamiliar game to his players while fighting for recognition and funding from city officials who have no interest in the sport.
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.
At the farthest edge of the Navajo Nation, the purpose and future of the most remote high school in the continental United States is in question while three Indigenous youth grapple with ambitious dreams, family responsibilities, and the isolated nature of their community.
In some ways, Barry Switzer and Brian Bosworth were made for each other. The Oklahoma coach and the linebacker he recruited to play for him were both out-sized personalities who delighted in thumbing their noses at the establishment. And in their three seasons together (1984-86), the unique father-son dynamic resulted in 31 wins and two Orange Bowl victories as Bosworth was awarded the first two Butkus Awards. But then Bosworth's alter ego: "The Boz," took over both their lives and ultimately destroyed their careers. In "Brian and The Boz," Bosworth looks back on the mistakes he made and passes on the lessons he learned to his son. It's a revealing portrait of a man who had and lost it all, and a trip back to a time when enough just wasn't enough.
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.