TV movie about dance rites in the Philippines
TV movie about dance rites in the Philippines
1961-11-27
0
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.
A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.
Rowlf the Dog and the kids have fun doing all kinds of activities, including singing and dancing. It features interactive sing-alongs including "The Smile was on the Crocodile," "Over and Under," and more.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
A portrait of Łódź, Poland that exists in a time-warp of sad memory.
The British Royal Airforce's Red Arrows show off their skills.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
A documentary about the artistic and verbal expressions of mentally ill people.