vypravěč
1975-01-01
0
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
The spectacular moon landing in 1969 was also a success of more than 100 technicians and engineers from Germany, some of whom had already revolutionized weapons technology and built rockets in Hitler's service during World War II. The documentary analyzes the entanglements of German NASA employees with the Third Reich.
Generously included as a bonus DVD alongside the 502-page Bolaño salvaje, a book of essays about and reminiscences on the Chilean novelist/poet published by the Barcelona-based Editorial Candy. Bolaño cercano [a difficult to translate title approximating something like Bolaño, Up Close and Personal], which offers up a sympathetic portrait of Bolaño as a loving family man and tireless reader and writer and teases with ever so brief glimpses of his personal library and countless spiral notebooks filled with rough drafts of his novels and poetry and even comic book-like drawings and illustrations.
Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.
A fantastic short documentary that explores an event that is staged in a cave in one of the oldest forests in Romania. The premise of the film - that people are bored and need something to do or perform is beside the point - there are people in Romania who will move an entire orchestra into a cave in the forest and thousands of people will arrive to watch a classical performance there. Breathtaking and fun at the same time.
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.
Documentary of Daniel Schubert's grandmother, Martha Katz, a Holocaust survivor.
A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad
Jasmin gazes in delight at the screen of the laptop she uses to make video calls with her father in faraway Somaliland. She asks him if there are hedgehogs there—an important question, because soon she and her brother and sisters will be living there. Her father once fled the war in his native Somaliland. In Finland, he found a second home, and his four children were born there. But he missed Somaliland, and was tired of the racism in Helsinki, so he decided to return with his family.
The animated documentary - a mix of live-action footage and animation - tells of the brutal everyday life in the orphanages of the 60s / 70s. Often led by Christian orders, more than one million children were physically and physically abused here. The anonymous protagonist tells of her childhood and her very personal struggle against the nuns' arbitrariness and their ruthless authority.
In the 1970s, the Spanish dictatorship opened up to the outside world and allowed a group of Danes to build Tivoli World, the first amusement park on the Costa del Sol, a copy of Tivoli Garden in Copenhagen.
"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?
In a valley in the Ukrainian Carpathian forest lies the small and forgotten town of Königsfeld. In 1775, the Habsburg Queen, Maria Theresa, sent a hundred foresters and their families here from the Austrian west of the kingdom. All that remains today of the now over two century-old timber industry are factory ruins, potholes in the valley road and an increasingly seldom heard German dialect. Only a few factories survived a flood that cut the village off from the rest of the world, and left it economically isolated. An atmosphere of farewell hangs heavy in the air.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
At the border between Navarre and Aragon we find the moors known as the Bardenas Reales, characterized by the dust and the omnipresence of the northern wind. This is a portrait of a land, but also a journey through Pilar’s memories. It is a glance at the past but also the present, and about how everything has changed, for better or worse.
POSSESSED enters the complicated worlds of four hoarders; people whose lives are dominated by their relationship to possessions. The film questions whether hoarding is a symptom of mental illness or a revolt against the material recklessness of consumerism. When does collecting become hoarding and why do possessions exert such an influence on our lives?