Nonstop(2002)

White Noise(fr)

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

KWAIDAN(pt)

FFG: un retrato(es)

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.

to boyhood, i never knew him(en)

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

Vianočný dar(sk)

ESSENTIEL — A Portrait(en)

His work illustrates people. Densha Tattoo reflects on craft, inspiration and the scene. — What is the essence of a human being? One stitch at a time. A portrait about the tattoo artist.

Assimilation Memories(en)

90's era home videos of a Mexican father starting a new life in the United States

And there was evening and there was morning. The first day(en)

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

James Bearden: Man of Metals(en)

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Metropia(es)

Make Moravia Great Again(cs)

Hry prachu(cs)

Film in hand. Carnival in the global village.

Ženy v uniformě(cs)

Alternate Earth(de)

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Coronavirus(en)

Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high school student reflects upon what really matters.

ELFilm(cs)

A minimalist portrait of ultimate love.

Best Before(en)

The film explores girlhood, the positives, the negatives and how that binds us together as women. A feminist film which will give an insight of how precious it is to be a woman and how we build safe environments within our female friendships which allow us to explore our femininity.

Hovory o lékařské etice(cs)

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González