Berlin queer community members mourn the substance abuse-related loss of their friends by sharing memories and rituals. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care.
Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.
When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.
As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.
Gender Me is a road movie about Mansour’s voyage into the world of Islam. It is a personal odyssey through a world of taboos, filled with contradictory images. He explores questions regarding faith and gender in Islam with a special focus on the unusual stories of Muslim gays. Mansour is a homosexual Iranian refugee who has been living in Oslo for the past 18 years where he works as a pharmacist. Now he wants to travel back to Istanbul, where he lived for two years before he was granted asylum in Norway.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Best friends Jack and Yaya celebrate their 30th year of friendship in their hometown in South Jersey alongside a motley crew of extended family and neighbors. While they party and reminisce, Jack and Yaya support each other as they both fight for acceptance as openly trans people.
A short documentary about the Disco legend Sylvester. Sylvester James began as a child gospel singer and sashayed past barriers of race and sexual identity to become the definitive anthemist of disco and dance soul. With a vibrant falsetto and genderbending persona, he redefined what it means - on stage and in life - to be "mighty real." This documentary will restore to the spotlight a pivotal performer whose music defined an era and whose influence is still felt by dozens of current vocalists.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
Sascha’s name wasn’t always Sascha. But now it is. Sascha doesn’t identify as a man or as a woman, but as trans non-binary. A story about what it means to live in a society that wasn’t expecting you. A glimpse into a life that allows us to question our own categories. And a film about what it means to be oneself.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
This short film is an interstellar road trip to the most amazing places we have discovered in our galaxy, as well as some stops to speculative worlds we think will exist, to see up close the wildest, weirdest destinations in the universe.
An exploration of the relationship between bodies, spaces and touch as a form of longing, Maja Classen’s latest documentary TRUTH OR DARE takes on an essayistic format inspired by the dramaturgy of a sex-positive party in Berlin and the COVID lockdowns of the past two years when the freedom of these spaces seemed possibly lost forever. The film’s protagonists – which include the Chilean queer sex worker Jorge and the genderqueer person Puck – are afforded the space to share their stories of loneliness, desires, sexuality, and identity and reveal how they have found a home and chosen family in Berlin’s queer, sex-positive community.
Películas is the name of a poetry book by Luís Miguel Nava, a homosexual poet, born in Viseu, who died in Brussels and whose magnificent poetic work remains widely unknown. Drawn from the filmmaker’s family super8 film archive, and excerpts from the film Un chant d'amour, by Jean Genet, the film builds a “body” marked by memories, by various skins, by Nava's films, by his poems and by its landscapes.
In November 2014 the Iconic club Madame Jojos closed its doors. This event being interpreted by many as the death knell of Soho.The gentrification of Soho affects the LGBT community and its Drag Queen sub-culture, but the cabaret atmosphere of the entire neighborhood in enormous ways. This active pursuit to destroy a bubbling and vibrant part of the city's heart is viewed by many as an atrocity akin to turning the lights off on Broadway. Over 3rd of London's music venues have been closed in recent years and no one noticed. An active movement to bring a halt to this disaster has begun to unfold with one organization after another emerging to fight for Soho. Organizations made up of citizens and celebrities have sprung up to combat this onslaught. Will they win this battle and save Soho?