Operación Úrsula. El misterio del submarino C-3(2006)

Contracampos(es)

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Living Memory(es)

The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez

Agustina González. La zapatera que miraba a las estrellas(es)

Mum's Idea(es)

Three elders return to their homeland seventy years after being forced to leave it because of the Spanish Civil War.

To My Son in Spain: Finnish Canadians in the Spanish Civil War(en)

This documentary features the story of Jules Paivio, the last living Canadian volunteer of the infamous Mackenzie-Papineau Battallion of the “International Brigades”. When Jules left from his home near Port Arthur (Thunder Bay), Ontario, his father, a famous Finnish poet, wrote a lasting lament: “To My Son In Spain”. In 1936-37, 1700 Canadians volunteered to fight with the Spanish people against a fascist coup d’etat led by elements of the Spanish Army. Backed by Musselini and Hitler, the fascists were bent on overthrowing Spain’s democratically elected socialist government and replacing it with military and church rule. It could be argued this conflict marked the true beginning of what would become World War II.

Barcelona Works for the Front(es)

A propaganda documentary about the Comité Central de Abastos. This committee provided food and support for the Republican forces in the Spanish Civil War.

Agente Sicre, el amigo americano(es)

Caudillo(en)

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

Experiment Stuka(es)

Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.

Aidez l'Espagne(ca)

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Songs for After a War(es)

A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.

R31(es)

Marcos y Vida(es)

Nanas sin Pan. Guímara: la represión colectiva de un pueblo(en)

The military uprising of 1936 tried to eradicate all traces of the social transformation that had brought the Republic. There were villages like Guímara, in the Valley of Fornela (León), whose almost unanimous support to the Republic supposed a hard and systematic repression. This isolated village, of about 85 neighbors, suffered one of the most painful forms of punishment: deportation of adults to concentration camps, separating them from their minor children. In this documentary it is told the chronicle of this terrible repression that sought to subdue and subjugate the population through fear, trying to destroy family ties, solidarity networks between the people and personal and collective subsistence economy. The memory of lullabies from their mothers was the echo that reached their children from the forced exile who lived their elders.

Fuentes de la memoria(es)

t narrates the repression suffered by the local population of Fuentes de Andalucía after the military coup of 1936.

Huérfanos del olvido(es)

Between 1937 and 1938, during the Spanish Civil War, thousands of minors were evacuated by their own families from the Republican zone to the Soviet Union to prevent them from perishing in the indiscriminate bombings that the rebel army directed against the civilian population. Taking advantage of the 80th anniversary of this epic, a team went to Russia to record the testimonies of some of those “childrens of war.”

Un cinéma sous influence(fr)

We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.

Removendo a terra(gl)

A group of forensic doctors begins the exhumation of a mass grave in Vilagarcía de Arousa. This is the story of those who seek and those who seek them.

A volta dos nove(gl)

A story about the memory of the memory, which starts from the revenge perpetrated on October 15, 1936, when nine men were killed in Bayonne as a result of events that happened two days before, and which involved the death of a resident of that town and more than one Falangist .

¡Hasta pronto, hermanos! Las Brigadas Internacionales en La Desbandá(es)

Documentary about the participation of the International Brigades in February 1937 in containing the advance of the rebel troops after the fall of Malaga.